Doctor Who Music Catalogue
The 11-Disc 50th Anniversary Collection
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Of course, in the Doctor Who universe, this is a music release to be reckoned with,
a main event that cannot be ignored. But as it invites easy comparison with two
fairly recent large Star Trek releases, both
a 15-CD compendium of music from The Original Series,
and a 14-CD set of Next Generation music called
"The Ron Jones Project",
this 11-disc beast marketed under the Doctor Who 50th Anniversary banner unfortunately
places at a distant third. It really has nothing to do with the quality of the
material presented here, which is top notch,
as much as with the fact that so much of it is recycled from previous releases,
which were equally top notch. Perhaps because the re-runs made it even more financially risky,
it was also saddled with a one-shot purchasing window. By contrast,
"The Ron Jones Project" was about 98% new material,
the 15-CD TOS collection about 85% new, and wherever there was overlap, the new box set
versions were by far more definitive in accurate presentation and mastering, and continue to
remain available for purchase today.
At any rate, just enough new material was squeezed into this 50th Anniversary set
to make it an essential purchase for Doctor Who music aficionados.
Still, it was a hefty price tag, and I think many would have preferred to get just
a 3- or 4-disc set with just the new material. Sorry, even the earlier
4- and 2-disc sets marketed ahead of this box set had very little new stuff and padded
themselves up with re-runs. If you really wanted all the new stuff, the 11-disc set
was the only way to go.
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Packaging is bizarre too. I went for the simpler version, which is a compact box
containing each disc in a white cardboard sleeve. Once I take a disc out to listen to it,
it's not going back - it goes into a proper jewel case instead where it can be properly
protected. Still, I think this is better than storing them in a big gaudy police box
that makes a noise each time you open it, and I was very happy to cut the hefty price in half
by leaving that packaging option out.
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(Actual box is 50-70% deeper than shown.)
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Doctor Who 11-disc
50th Anniversary
Music CD Collection
Disc 01
William Hartnell (1963-1966)
Original music tracks
composed by
Ron Grainer
Tristram Cary
Brian Hodgson
Nelson & Raymond
Dudley Simpson
Daniel Ouzounoff
Martin Slavin
Audio CD
Total Time: 78:38
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Disc 1 of 11 - Music from the William Hartnell Era
Though this 11-disc collection will rise to some very enjoyable musical heights
before it is all done, the first two discs may prove to be a challenging listen
for the faint of heart. Not only may it often seem like we're spending more time
on sound effects than music proper, but the Hartnell disc in particular has a very
high amount of re-run content as well.
Most of what we get on the Hartnell disc is drawn from two previous releases.
One is
"Doctor Who at the BBC Radiophonic Workshop, Volume 1: The Early Years".
Though this does give us some important tracks, only Ron Grainer's
main Doctor Who theme can successfully remain outside of the sound effects
category. The portions of this CD that pertained to the Hartnell era
only lasted about 20 minutes, but despite the fact that that CD is
still widely available, EVERY track was repeated here on the Hartnell disc,
occasionally at greater length, though you'd be hard pressed to notice
the difference on most tracks from listening alone. And once again, most bizarrely,
the rejected version of the pilot episode gets far greater coverage
than all four actual episodes of the first story combined.
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The biggest frustration with the music of the William Hartnell era is that,
even though a wide variety of composers created original music for the show,
almost none of them kept the recordings of their music for posterity. So,
God bless Tristram Cary for making sure most of his music remained
intact for us to enjoy today.
In fact, the bulk of Cary's material saw commercial release previously on
the double-disc audio CD set called
Devils' Planets,
which is the second major source of content for this Hartnell era disc.
We don't quite get everything from that set related to the Hartnell era,
which would be more than one entire disc could hold all on its own,
but we do get A LOT. But as good as this is, it also amounts to
a lot of re-runs for the long-term collector, while squeezing out space
for new unreleased gems and the much wider musical variety that Hartnell's
era actually boasted on screen.
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"Devils' Planets" gives us music from
"The Daleks" (story no. 2),
which remains an important inclusion here.
It is a bit bizarre in normal musical terms, but it's also very creative and cool.
Additionally it is iconic, atmospheric, and nostalgic. On top of that,
it is some of the most re-used music in all of Doctor Who... you effectively
also have here the musical backing for
"The Rescue" (story no. 12),
"The Ark" (no. 23), and
Patrick Troughton's debut "The Power of the Daleks" (no. 30).
(Indeed, I tend to associate track 12 "Forest with Creature" more to the
character of Koquillion from "The Rescue" than to anything in "The Daleks".)
A number of the longer and/or less interesting tracks for this story remain
exclusive to the older CD, but the most iconic pieces have been included here.
Personally, I would have traded off track 15 "The Daleks" and track 17
"The Storm Continued" for "Fluid Link" and an excerpt from the opening of "The Swamp",
but this is pretty good.
"Devils' Planets" also gives us a lot of music for the epic length 12-part story
"The Dalek Masterplan" (story no. 21). It's great
that so much music exists from Hartnell's longest adventure. It's a good score
too, mixing normal orchestral performances with unique electronic and
otherworldly sound constructions. The selections included here seem to favour
music from the three existing episodes to a small degree, before spending
nearly the whole second half of their time on two long spaced-out pieces
from the last episode. Not bad, but I have a feeling that an opportunity
for a more dramatic montage has been missed here, as have one or two
iconic bits.
But really, in the absence of most proper recordings of original music for this
era, the largest untapped source remaining is going to be music library tracks:
material composed more generally for television and cinema, and only selected
and applied by directors afterwards. Many of these library tracks still exist today,
and though you could theoretically still pay to use them in your own productions
if you proved to be a professional filmmaker,
it's much harder to simply buy them as a consumer for your own listening pleasure.
Enter Space Adventures, an infamous fan-produced CD that
gathered many such library cues used in Doctor Who onto one disc that consumers
could buy and enjoy... which started a bit of a trend as a few very similar collections
came out. It would have been nice to see more material from "Space Adventures"
show up on this Hartnell disc, as it covered a wider variety of stories and
did so more in terms of music than sound effects, not to mention the fact that
Mark Ayres would no doubt have made noticeable improvements to the audio quality
and mastering as he usually does.
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As it stands, only two selections from "Space Adventures" made it to this Hartnell disc:
"Three Guitars Mood 2" and "Space Adventure Part 2" - practically the first and
last pieces of actual non-title music on this disc. They are probably the best
two tracks you could want from "Space Adventures", if you really only wanted two.
However, since I associate "Space Adventure Part 2" primarily with
"The Tomb of the Cybermen" and to a lesser extent "The Moonbase", while
barely noticing it in "The Tenth Planet", it feels like it should belong more
to the Troughton disc than the Hartnell. "Music for Technology" and "Power Drill"
more readily evoke the imagery of Hartnell's finale for me.
Well, up to this point, we've only been discussing re-runs, and they've taken up
a heck of a lot of the disc so far. What's really new here?
I expect that Daniel Ouzounoff's "Marche", performed by
Les Structures Sonores, will be new to most collectors. Though this isn't
quite the first version made available to the public on CD, it appears to
be the first that didn't bring loads of hiss and crackle from a vinyl transfer
with it.
This track is probably the most important one to put out for the story "Galaxy Four",
as the bridge section effectively became an excellent theme for the Chumbley machines,
and wound up being the most memorable bit of music from the story. But there
is so much more existing music from this story that this disc did not touch....
Tristram Cary's music for
"The Gunfighters" (story no. 25)
didn't make it onto the "Devils' Planets" CD, and so is new here.
While I would have loved to get the piano bits without the
vocals and considered that highly worthwhile, we unfortunately have to put up with
the versions with all the singing - which isn't different enough to the fairly clean
airings of same during the story to be worth the effort. As many may know,
though I'm never a big fan of vocals to begin with, the lyrics here are additionally
bothersome since (a) the sentiments are not in good philosophical taste and
(b) are contradicting the narrative as told by the rest of the story.
This track should be one of the disc's highlights, but winds up as a lot of ick
instead.
Dudley Simpson's four scores for the Hartnell era are represented solely
by a suite of samplings ripped directly from the finished TV episodes
of "The Chase" (story no. 16),
along with whatever sound effects were happening simultaneously.
The strange thing is, if it's okay to start offering episode rippings on this CD,
there is SO MUCH MORE satisfying music that could be offered for
the entire Hartnell era. Why do only 97 seconds
of "The Chase" and nothing else? This suite sounds quite similar to one I made for
myself, except many of the cues get cut off much earlier than they would have needed
to be.
Seeing its first release on CD is a rough first assembly of the title music that
was accidentally dubbed onto the rejected pilot instead of the more polished version.
Its one truly unique attraction was the thundershot sound effect used during the
opening bars... which isn't present on track 2 of this disc and makes the exercise
seem a bit pointless.
The only other new bits are in the sound effects department.
The best new highlight would be track 54 - the Energy Transfer from
"The Savages", which is distinctive, atmospheric, and tells the story.
I also appreciate track 57: "Cybership Interior Atmosphere", and the extra length
of the Dalek Timeship Takeoff/Landing that track 29 brings.
The absolute killer of this disc's appeal has to be track 4,
the full length Entry into the TARDIS from the rejected version of the pilot.
The Radiophonic Volume 1 CD had previously given us the first 40 seconds of this,
but now this Hartnell disc asks listeners to suffer a full 12 minutes of this
fairly boring harsh buzzy humming noise before getting to any real incidental music
from the Hartnell era - all this for a sound that got replaced for all actual
episodes of the series. Where is the sound of the TARDIS interior that WAS used
from episode one on through the first several years of the program? Hasn't come out
yet. This track might be welcome if buried in an appendix, or with a collection
of bonus tracks as we got on disc 9,
but to be placed front and center at the beginning of what is meant
to be a collection of music - I think it kills the repeat-listening value of the disc
as is, and begs the collector to rearrange the material into a more enjoyable sequence
of her own design.
Another waste of space comes from the decision to present the re-run
"Activity on Dalek Ship Control Panel" as track 40. I've never been able to find
this sound being used in the program. Theoretically, placing it within the
list of music cues should help identify the point of its debut, but I'm still
unable to find it, and I'm not surprised since no Dalek ship appears in that part
of the story, nor does any control panel used to direct ships.
Even if this sound was actually used somewhere, I think it's just too obscure to earn
itself a second release on this disc.
In the end, this Hartnell disc really didn't probe the depths of rare and unreleased
Hartnell era musical gems anywhere near to the extent that a 50th Anniversary
music collection should have done, and relied on too many re-runs that didn't
showcase the variety of stories and musical styles that the era actually boasts.
Most other discs in this set will prove to offer much better value for money
than this one....
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Doctor Who 11-disc
50th Anniversary
Music CD Collection
Disc 02
Patrick Troughton (1966-1969)
Original music tracks
composed by
Don Harper
Dudley Simpson
John Baker
Paul Bonneau
Wilfred Josephs
Brian Hodgson
Audio CD
Total Time: 77:44
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Disc 2 of 11 - Music from the Patrick Troughton Era
Here we are at the second disc in the mammoth collection,
looking for some groovy tunes and awesome soundscapes to nostalgically
take us back to the adventurous odyssey of the inimitable cosmic hobo.
We immediately plow into some harshly irritating sounds from season four
and some super-cheesy dabbling at more melodic music.
What's going on?
Well, the re-runs are back in full force. An older CD entitled
Doctor Who at the BBC Radiophonic Workshop, Volume 1: The Early Years
(what a long-winded mouthful) contained about 56 minutes of material
from the Troughton era - and although strange electronic music and
outright sound effects are something I can appreciate, it only has
a niche audience at best and doesn't make particularly great repeat listening.
Nonetheless, the decision was taken that this entire 56 minute collection had
to be repeated here for some reason, taking up a good 72% of Troughton's disc.
Yep, there's a lot of padding on this one, and hardly much space for any new
gems. A strange choice, and most disappointing.
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Still, there are some essential bits here worth appreciating:
John Baker's two Muzak pieces, the Mr. Oak and Mr. Quill theme,
Zoe's Theme, and the Dominator's Tension Builder D. Most of the others
aren't really great enough to withstand their re-run status.
We should note that at least three tracks from Radiophonic Volume 1
didn't make it here in exactly the same format.
"Floating Through Space" from "The Wheel in Space" got left out,
but not to worry because you can take "White Void" from "The Mind Robber",
increase it to double speed or raise it up an octave (same thing), and presto
now it's "Floating Through Space". [Change the speed/pitch again, and it becomes
"Souls in Space" as heard in "Inferno", but I digress.]
The final Doctor Who closing credit on Radiophonic Volume 1 was an unused version,
and though it doesn't appear here on the Troughton disc, you will find it on
the Tom Baker disc (again, for reasons that escape me).
Thirdly, the "Time Lord Court Atmosphere" lasted only 1:18
on Radiophonic Volume 1, but here it is expanded to a track of some 3:53.
Someone must really like this sound, because although I don't think it appeared
in any story other than "The War Games", it is constantly being patched over the
Photo Gallery montages on one DVD after another. It's not a bad track, but I think
the inappropriate overuse has since worn out its welcome with me a bit.
There are a couple of tracks here repeated from the
"Space Adventure" CD releases as well.
As these are far more musical and satisfying,
and stand to benefit from a fresh mastering approach,
I really don't know why we didn't get more of these.
Indeed, it would have been a far smarter balance to repeat all "Space Adventure" tracks
from Troughton's era, and only select the best excerpts from the Radiophonic CD's.
But who knows to what degree politics were involved in the copyright controls....
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Most specifically, I have to wonder why we got Parts 1 and 2 of Space Time Music,
but not Part 3 which also features in "The Web of Fear". But then, there are so many
opportunities being whittled away while the filler gets piled on thick....
So, what IS new?
Good news is, there are some worthy gems here.
Two stories have music that stands out particularly well.
"The Invasion" is an obvious winner, with four Don Harper tracks seeing
their first proper release on the Doctor Who 50th Anniversary albums.
Both "The Dark Side of the Moon" and "The Company" also featured on the
DVD's photo gallery, but at least here we finally get official names for these famous cues.
The story's theme for UNIT is also here in full, titled "Brigadier Lethbridge-Stewart",
whereas the photo gallery only gave us about 1/3 of it. Finally we get the delicate suspense
of "Mysteries", which the photo gallery had not used at all. Great stuff.
Of course, there's a lot more available material that didn't make it to this CD.
The Photo Gallery also features a few "Dark Side"-related links, plus an off-beat
ambling cue heard as the Doctor and Jamie make it to the roof in the elevator,
not to mention a whole smattering of cues that ultimately went unused in the finished program.
"The Seeds of Death" also fares particularly well here. The cue covering the titles
also appears on the Special Edition DVD's photo gallery, but has a cleaner ending on this CD
for the Troughton era. "Moon Control" and "Ice Warriors Music" give us more fresh musical
cues that we hadn't had before. Then the DVD's photo gallery goes on to give us another
two minutes of clean music that doesn't feature here. There's a lot of good stuff coming out
from this story, but it's bizarre to see such small amounts trickle out so slowly.
Track 10 proves interesting, as the all-too-brief 1967 opening title music is artificially
expanded to a full blown version by being carefully spliced to a 1970's version. It's new,
it's cool, and it feels right.
And that's about all that there is to get really excited about. We have a few odd new sound
effects here and there, particularly doubling the material from "The Dominators", but little of
it stands out. Nicely, "The Ice Warriors" is at least represented on this disc by sampling
the unique title music from the episodes, although track 15 should really be labeled
as coming from episodes 3-6, as episode two had a much more underdeveloped version of the
same theme. But then, if you're going to do that, and if the finished disc is allowed to
have as many harsh sound effects on it as it does, you may as well sample more music from
"The Ice Warriors" and present those as well, even if the odd avalanche, explosion, or
sonic blast comes with it. Another lost opportunity to present some of Dudley Simpson's
most creative material.
One piece of new music I've not mentioned yet is a 30-second piece of Dudley Simpson incidental
from "The Macra Terror". Basically, you could probably give an old Casio synth to any 8-year-old,
let him improvise for a few minutes, and a better sounding piece of music would be forthcoming.
Dudley Simpson did many great things for Doctor Who over the years,
but this tiny track perhaps best demonstrates why "Macra" was probably
his least effective score ever.
And so, sadly, the Troughton era disc is mostly disappointing, but not without a few new
highlights to tantalize us long-term collectors. Needless to say, I'll be extracting
the goodies and including them in a playlist with both a more complete musical picture
for the Troughton era, and with considerably fewer bizarre sounds....
11-CD Box Set for 2014:
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Doctor Who: 50th Anniversary Collection - Disc 2 of 11
Patrick Troughton 1966-1969
Track Listing:
1. Regeneration Runs Down (Brian Hodgson) (0:10)
2. The Doctor's Transitional Trauma (Brian Hodgson) (0:52)
3. The Fish People (Dudley Simpson) (0:37)
4. Heartbeat Chase (Brian Hodgson) (1:57)
5. Chromophone Band (Dudley Simpson) (1:56)
6. Controller Chimes (Brian Hodgson) (0:10)
7. Muzak from "Time in Advance" (John Baker) (3:19)
8. Propaganda Sleep Machine (Brian Hodgson) (1:08)
9. The Macra Terror (Dudley Simpson music excerpt) (0:31)
10. Doctor Who (1967 opening merged with 1970 closing) (2:19)
11. Univers Sideral (Paul Bonneau) (2:26)
12. Space Time Music Part 1 (Wilfred Josephs) (1:21)
13. Yeti Control Sphere Move, Call, Answer (Brian Hodgson) (0:42)
14. The Ice Warriors One: Titles (Dudley Simpson) (0:52)
15. The Ice Warriors Three-Six: Titles (Dudley Simpson) (0:43)
16. Space Time Music Part 2 (Wilfred Josephs) (1:19)
17. Sting & Web (Cocooning / Pulsating) (Brian Hodgson) (2:04)
18. 4 Stings (Brian Hodgson) (0:18)
19. Mr. Oak and Mr. Quill (Dudley Simpson) (0:40)
from "The Wheel in Space" (Brian Hodgson):
20. Lead-In to Cyber Planner (0:14)
21. Cyber Planner Background (0:37)
22. Cybermen Stab & Music (1:32)
23. Rocket Stab (0:07)
24. Birth of Cybermats (0:44)
25. Cybermats Attracted to Wheel (0:39)
26. Rocket in Space (1:49)
27. Interior Rocket [Suspense Music] (1:55)
28. Servo Robot Music (1:27)
29. Wheel Stab (0:14)
30. Cosmos Atmosphere (1:08)
31. Alien Ship Music (1:00)
32. Jarvis in a Dream State (0:47)
33. 2 Stabs (0:11)
from "The Dominators" (Brian Hodgson):
34. TARDIS (New Landing) (0:18)
35. Dominators' Saucer Power On (0:40)
36. Sting (0:05)
37. Statues Move (a and b) (0:35)
38. Galaxy Atmosphere (1:04)
39. Dominators' Saucer Interior (2:04)
40. Tension Builder (a) (0:45)
41. Tension Builder (c) (0:40)
42. Tension Builder (d) (1:06)
43. Low Sting (0:10)
from "The Mind Robber" (Brian Hodgson):
44. TARDIS, Extra Power Unit Plugged In (1:53)
45. Zoe's Theme (1:19)
46. White Void (1:17)
from "The Invasion":
47. The Dark Side of the Moon (Don Harper) (0:31)
48. The Company (Don Harper) (1:30)
49. Muzak from "Time in Advance" + piano (John Baker) (2:44)
50. Brigadier Lethbridge Stewart (Don Harper) (1:22)
51. Mysteries (Don Harper) (1:30)
52. Cyberman Brought to Life (Brian Hodgson) (1:13)
53. Cyber Invasion (Brian Hodgson) (2:12)
from "The Krotons" (Brian Hodgson):
54. The Learning Hall (2:40)
55. Entry into the Machine (1:33)
56. Sting (0:19)
57. Machine and City Theme (1:49)
58. Kroton Theme (2:13)
from "The Seeds of Death":
59. The Seeds of Death: Titles (Dudley Simpson) (0:35)
60. Moon Control (Dudley Simpson) (0:24)
61. Diffraction (Ice Warrior Gun Impact) (Brian Hodgson) (0:22)
62. Ice Warrior Music (Dudley Simpson) (0:25)
63. Moon Homing Beam (Brian Hodgson) (0:21)
64. TARDIS runs aground out of phase (Brian Hodgson) (0:26)
from "The War Games" (Brian Hodgson):
65. Alien Control Centre (0:27)
66. Time Zone Atmosphere (0:40)
67. Dimensional Control [SIDRAT contracts] (0:50)
68. War Lord Arrival (0:16)
69. War Chief Music (0:14)
70. Silver Box (1:02)
71. Time Lord Court (3:53)
Disc Total: 77:44
This disc is a lot of sound effects and atmospherics,
and not as much actual music as one could hope for.
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4-CD Edition for 2013:
Doctor Who: 50th Anniversary Collection - Disc 1 of 4
(William Hartnell, Patrick Troughton, Jon Pertwee)
Track Listing:
22. Heartbeat Chase (Brian Hodgson) (1:57)
23. Chromophone Band (Dudley Simpson) (1:56)
24. Propaganda Sleep Machine (Brian Hodgson) (1:08)
41. Doctor Who 1967 spliced (Grainer/Derbyshire) (2:20)
25. Univers Sideral (Paul Bonneau) (2:26)
26. Space Time Music, Part 1 (Wilfred Josephs) (1:21)
27. Space Time Music, Part 2 (Wilfred Josephs) (1:19)
28. Mr. Oak and Mr. Quill (Dudley Simpson) (0:39)
29. Cybermen Stab & Music (Brian Hodgson) (1:32)
30. Birth of Cybermats (Brian Hodgson) (0:44)
31. Interior Rocket (Brian Hodgson) (1:55)
32. Galaxy Atmosphere (Brian Hodgson) (1:04)
33. Zoe's Theme (Brian Hodgson) (1:20)
34. The Dark Side of the Moon (Don Harper) (0:31)
35. The Company (Don Harper) (1:31)
36. Machine and City Theme (Brian Hodgson) (1:49)
37. Kroton Theme (Brian Hodgson) (2:14)
38. The Seeds of Death Titles (Dudley Simpson) (0:35)
39. Ice Warriors Music (Dudley Simpson) (0:26)
40. Time Lord Court (Brian Hodgson) (1:32)
Underlined cues also appear
on the 2-disc cutdown version:
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Doctor Who 11-disc
50th Anniversary
Music CD Collection
Disc 03
Jon Pertwee (1970-1974)
Original music tracks
composed by
Dudley Simpson
Carey Blyton
Malcolm Clarke
Tristram Cary
Delia Derbyshire
Brian Hodgson
Dick Mills
Audio CD
Total Time: 79:07
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Disc 3 of 11 - Music from the Jon Pertwee Era
Since most Doctor Who music from the 1970's was composed by Dudley Simpson,
and since most of his original recordings were lost, traditionally there hasn't
been much from the 70's for music aficionados to sink their teeth into. But one of
the major highlights of the 11-disc 50th Anniversary music box set has been the number of
previously-thought-lost Dudley Simpson cues that have been found and presented here
for our enjoyment. For this reason, I initially began my listening with discs 3 and 4.
The Jon Pertwee era was up first.
While most cues for "The Mind of Evil" were previously released on
Radiophonic Workshop Volume 2,
the new star of this story's score is the cue "Hypnosis Music". I long suspected that
this cue simply MUST exist somewhere in the archive, because the exact same recording
went on to be used in many more stories for the next year and a half, up to the
season nine finale
"The Time Monster",
and probably saw more use than "The Master's Theme" itself. Do any more oft-repeated
multi-story cues for the Master also exist somewhere?
The CD really warms up when it hits longer stretches of
previously unavailable material from Dudley Simpson.
The suite from "Carnival of Monsters" Episode 1 has quickly become my favourite
piece from this disc, as it showcases Simpson's versatility, combining lighter moods with
more serious ones, and evoking nostalgic memories of his general style.
It's also a bit more distinctive and upbeat than many other scores, which suits my personal tastes.
We got a bit of a tease of this music played over the Photo Gallery montage on
the Special Edition DVD for Carnival of Monsters,
but this is a much more full and respectful presentation of Episode 1's music.
Admittedly, "Frontier in Space" was never my favourite of Simpson's scores, as some of the
earlier definitive thematic cues use unimpressive electronic instruments that also seem to have
a hard time staying in key. However there are some surprisingly nice cues later on in this
suite from episodes 1 and 2, and of course we want to be grateful to have any of these
lost Simpson recordings to enjoy once more. The really good bits start at about 3:14 into the
track, and continue through to the end.
"Planet of the Spiders" Part 2 evokes many of the typical moods from Dudley Simpson 1970's
Doctor Who scores without definitively standing out too much. If you want the average Simpson
flavour, and we do, this gives you a good and very enjoyable sample of it, spending its time on
the better cues from the episode. What's bizarre is that because this particular episode was
so atypical in spending most of its time on an expensive multi-vehicle chase sequence
on location, I always felt that the music should have been far more bold and fast-paced and
layered on more thickly than usual, which didn't happen. It's a very good track for the CD,
and would make great music for most episodes of Doctor Who, but it never did quite fulfill
my expectation for the episode it was actually in.
Onto the Carey Blyton material, I suspect one's enjoyment of the suites from his two stories
may depend on how much the listener may have gotten into the Isolated Music tracks on
the corresponding DVD releases. The suite for "The Silurians" covers the best material
from that story and then some, sequentially and respectfully,
but can't really present anything too new here (although "March: The Brigadier" has a better
opening here than on the DVD isolated music track).
I enjoyed the saxophone quartet recordings from
"Death to the Daleks" much more, probably because I haven't gotten around to buying
that particular DVD with its isolated track yet. Still, getting a good 10 minutes of
music from my favourite season 11 score can only be a good thing.
The disc as a whole might be seen to initially repeat a previous release, specifically
Doctor Who at the BBC Radiophonic Workshop Volume 2,
and most closely in
the sequence of tracks from "Inferno", "The Mind of Evil", and "The Claws of Axos",
before settling into material from "The Sea Devils". In the case of "Inferno",
I think I would have preferred to change things up a bit more. As much as Delia Derbyshire's
tracks "Blue Veils and Golden Sands" and "The Delian Mode" are good important pieces featuring
in the story, it should also be noted that: (a) They've been released in full several times
already, beginning with the
Earthshock CD, and
(b) they're a bit on the long and dull side.
Do any of us really want to be buying them this many times over?
I think, considering the number of other stories on these 11 discs that are only represented by
fractions of the total available music, an excerpt from "The Delian Mode" would have sufficed,
allowing other music to appear here. And there is more to be had.....
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The cat is out of the bag now with this release and its extensive liner notes:
composer Nikki St. George is in fact Brian Hodgson under an alias. Kudos to the team
for including his "Battle Theme" amongst the tracks for "Inferno" - this is the
track often used to portray the oppressive heat pounding people into mutant forms
throughout the story. It is strange though that this track was included,
but its "Inferno" companion piece "Homeric Theme", from the same composer and library, was not.
And of course there are many other existing cues from this story that have yet to see
the light of day.
"The Sea Devils" is a bit of a strange inclusion. We basically get the same suite we
had previously on the Earthshock CD, only this time
unlike most other tracks ported over from that CD,
it has been artificially processed into stereo, which turns out a bit weird in this case.
I'm not convinced it's any better, or that the exercise has been worthwhile.
I'd have preferred a new selection of cues in a brand new montage. The true
aficionado will probably be more satisfied with the 44 minutes of music on the
Radiophonic Workshop Volume 2 CD, or the isolated music track
on "The Sea Devils" DVD,
out of which she can select her own favourites.
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We've also got a hefty 7:13 suite from "The Mutants". Since the whole score was released on the
Devils' Planets CD, and I'm sorry, isn't particularly great,
it makes sense to only include a brief example here. I can squeeze all my favourite bits into
about 3 minutes, but sadly only the first of those bits is to be found in the suite we did get here.
(On "Devils' Planets", it is merely labeled "II", but I call it "Skybase".) Definitive cues
for the scheming Marshal and outer space (labeled "V") and SuperKy (excerpted from a track
labeled "XXXVIII") didn't make it in here. Though there are some other interesting bits here,
this is a score that suffered from that early intellectual push of electronic music into
randomly toned notes on cheesy, warbly, wavering instruments, sections which sound very outdated
and result in no emotional response other than "Please turn that frustrated noise down
before I go mad." Thumbs down on this one; the cue selection process for this suite just
didn't float my boat (grabbing only the best portions of some cues seems essential in this case)
and none of what is presented here is new to the long-term collector.
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The disc is rounded out by a variety of sound effect sequences and loops. About 2/3 are new
ones we haven't had before, which are worthwhile, and the other 1/3 are repeats from
Radiophonic Workshop Volume 2 CD,
making them feel like filler. Incidentally, two new TARDIS interior sounds
are indicated to have debuted with "The Curse of Peladon" - one for flight and one
for stationary scenes. Those of us more familiar with early 1980's stories may find that
BOTH of these sound like in-flight background loops, with only very slight differentiation.
In fact, neither of these sounds appear in "The Curse of Peladon", whose one TARDIS interior
scene features a completely different stationary sound, much like that of the 80's, but
underdeveloped. A grand case of mislabelling, I think.
But more on the difficulty of getting proper TARDIS sound loops
when we get to a later disc.....
11-CD Box Set for 2014:
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or
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Doctor Who: 50th Anniversary Collection - Disc 3 of 11
Jon Pertwee 1970-1974
Track Listing:
1. Doctor Who opening title 1970 (Grainer/Derbyshire) (0:46)
2. TARDIS tries to take off (Brian Hodgson) (0:30)
3. "The Silurians" suite (Carey Blyton) (7:34)
4. Outer Space (Brian Hodgson) (2:05)
from "Inferno":
5. TARDIS Control On & Warp Transfer (0:22)
6. Blue Veils and Golden Sands (Delia Derbyshire) (3:26)
7. The Delian Mode (Delia Derbyshire) (5:32)
8. Battle Theme (Brian Hodgson) (1:01)
from "The Mind of Evil"
9. The Master's Theme (Dudley Simpson) (0:43)
10. Hypnosis Music (Dudley Simpson) (0:36)
11. Dover Castle (Dudley Simpson) (0:29)
12. Keller Machine sound effects (Brian Hodgson) (0:22)
13. Keller Machine Theme music (Dudley Simpson) (0:42)
from "The Claws of Axos"
14. Axos Cell Interior Atmosphere (Brian Hodgson) (0:50)
15. Brain Centre Atmosphere (Brian Hodgson) (0:16)
16. Copy machine tickover (Brian Hodgson) (0:16)
17. The Axons Approach (Dudley Simpson) (1:45)
18. TARDIS Lands (Brian Hodgson) (0:22)
19. TARDIS interior (stationary) (0:56)
20. TARDIS interior (in flight) (0:54)
21. "The Sea Devils" suite (Malcolm Clarke) (5:24)
22. Transfer Machine Arrival (Brian Hodgson) (0:17)
23. "The Mutants" suite (Tristram Cary) (7:13)
24. Doctor Who [stereo 1972 version] (2:23)
25. Doctor Who [1972 Delaware version] (2:10)
26. Time Lords background (Dick Mills) (1:20)
27. "Carnival of Monsters" Episode 1 (Dudley Simpson) (3:35)
28. Hyperspace Jump (0:27)
29. "Frontier in Space" Episodes 1 & 2 (Dudley Simpson) (5:37)
30. TARDIS Malfunctions (sound sequence by Dick Mills) (2:00)
31. Exxilon City Beacon (0:54)
32. "Death to the Daleks" Music (Carey Blyton) (10:25)
33. Aggedor's Temple Atmosphere (1:37)
34. "Planet of the Spiders" Part 2 Music (Dudley Simpson) (2:44)
35. Metebelis III Atmosphere (1:52)
36. Doctor Who credits 1970 (1:14 version)
Disc Total: 79:07
As you can see, the rare "Frontier in Space" suite on this version covers an additional
episode and is more than three times as long,
plus the 11-disc version has many more rare suites that the 4-disc version
doesn't touch...
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4-CD Edition for 2013:
Doctor Who: 50th Anniversary Collection - Disc 1 of 4
(William Hartnell, Patrick Troughton, Jon Pertwee)
Track Listing:
42. The Master's Theme - Dudley Simpson (0:43)
43. Hypnosis Music - Dudley Simpson (0:36)
44. Dover Castle - Dudley Simpson (0:29)
45. Keller Machine sound effects - Brian Hodgson (0:22)
46. Keller Machine Theme music - Dudley Simpson (0:43)
47. Copy Machine Tickover - Brian Hodgson (0:16)
48. The Axons Approach - Dudley Simpson (1:45)
49. "The Sea Devils" suite - Malcolm Clarke (5:24)
50. "The Mutants" suite - Tristram Cary (7:12)
51. "Frontier in Space" episode 1 - Dudley Simpson (1:46)
52. "Death to the Daleks" - Carey Blyton (3:50)
53. Metebelis III Atmosphere - Dick Mills (1:53)
Underlined cues also appear
on the 2-disc cutdown version:
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Doctor Who 11-disc
50th Anniversary
Music CD Collection
Disc 04
Tom Baker (1974-1981)
Original music tracks
composed by
Dudley Simpson
Carey Blyton
Geoffrey Burgon
Peter Howell
Roger Limb
Dick Mills
Paddy Kingsland
Audio CD
Total Time: 78:32
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Disc 4 of 11 - Music from the Tom Baker Era
The Tom Baker disc in this collection has many substantial highlights,
the best of which are a selection of lengthy suites of more
previously-thought-lost original Dudley Simpson recordings.
As Simpson's music really hit its stride during this period, these
selections are even more satisfying than most of the ones on the Pertwee disc.
Up first is a 9 minute suite from "The Android Invasion" Parts 3 & 4,
which offers many suspense and action cues that were typical of this period.
Considering that this is the only season 13 score by Simpson that hadn't been
tackled by
Heathcliff Blair's cover recordings,
we now have music from each season 13 story available on CD somewhere. Good stuff.
Of course, the most definitive and entertaining Simpson score from Tom Baker's era
would have to be "The Invasion of Time", and we now have a five-and-a-half-minute
suite of music featuring just about every cue you could want from Parts Three and Four,
and this suite is available in full on all versions of the 50th Anniversary album.
Sweet! These include a lot of fun variations
on Simpson's fourth Doctor theme, happy-go-lucky K9 motifs, some triumphant fanfares
for Leela's gang of rebels, variations on the Vardan theme for their solidification,
plus the unforgettable cliffhanger reveal of the real villains. It's mostly all presented
in chronological sequence, except that the earliest Vardan cue should come a couple of cues
earlier. Too bad we don't have material
from the rest of the story, as parts one and five in particular had some truly iconic
cues as well, but even within just these two middle episodes, the wide variety of the full score
is in evidence.
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One of the biggest draws for the 11 disc version is the huge suite of music unearthed here from
"The Sun Makers" - totaling 11 minutes 22 seconds, this is a beautiful and welcome treat
for Doctor Who music aficionados. The range here includes humour, light delicate pieces,
suspense, action, sultriness, and a tax-oppressed dirge to open the show. Most cues from
Part One are here, up until the Doctor's party meets the rebels. For those wishing to orient
themselves within this huge track, it also includes
the first and last cues from Part Two, as well as the first cue from Part Four, and everything
appears to be in chronological order. Identify those, and you'll at least know which episode
you are in as you go.
My absolute favourite bit of this score has for a long time
been the rendition of the fourth Doctor's theme from Part Four, which I thought I'd never
be able to extract cleanly from the finished program. But here it is, pure and awesome,
about 9 minutes into the track - a real gem stating the theme in one of its most beautiful forms ever.
Glorious! And if these 11 and a half minutes are not enough, check out the photo gallery
montage on
the story's DVD - the music there contains
no overlapping content with this suite,
giving you one more long cue at the beginning and 4 short ones at the end. These include
Cordo's approach to the roof edge, two cues leading up to and including Part Three's cliffhanger,
a bit of corridor action from the middle of Part Two, and the final snip of the cue as
the Doctor first falls into Mandrel's lair in Part One - in that order.
Based on all this, I suspected that this entire score existed somewhere,
and would yet see another release in full...
Oh, and look what turned up several years later:
"The Sun Makers: Music by Dudley Simpson"
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In addition to the above three Dudley Simpson suites, we've got an excellent and large
selection of music from Carey Blyton for "Revenge of the Cybermen". Unlike Blyton's
two Jon Pertwee scores, the DVD for this story didn't come with an isolated music track,
so this is a new batch of original music, featuring the most iconic cues from the story.
As this is probably the Blyton score that was realized most satisfyingly and creatively
out of the three he did, it's a real treat to finally have it in clean form. The suite on
the 11-disc version is longer than that of the 4-disc and 2-disc versions, but even then
a few of the more creatively realized deeper sounding cues didn't quite make the cut
unfortunately. Not to worry though, because many of the more complex, interesting cues
are here, particularly surrounding the concluding action.
Those would be my top four tracks from this disc - four lengthy suites of good new music,
totaling about 33 minutes. That's a minor coup, really, and one of the big reasons why I decided
I had to put up the big bucks for the 11-disc version and not settle for the 4-disc
to protest the all-too-plentiful re-run content.
My 5th favourite track from this disc may be a surprising choice though....
it would have to be track 35, the TARDIS interior sound montage. Why?
These are the proper background sound loops for the TARDIS interior from "my era" - the 1980's,
which I have been looking for in vain since... the 1980's. It has been surprising
how often the loops from the 1960's have been chucked at us, including those that were
rejected in the 1960's, yet for the ones that did get used in the 80's, CD after CD,
DVD photo gallery montage after montage, all have ignored it. Until now.
(Okay, there was a vinyl record that put out the stationary TARDIS interior sound before,
coupled with an outdated season-fourteenish in-flight loop, but vinyl just crackles and pops
too much to be very useful to me.) Now finally in digital form, we have here
both the in-flight and the truly rare stationary sounds, linked by the landing bell
and closing off with the cloister. This track is a first as far as I know, and it's a very
welcome one. What we still don't have here is a third TARDIS interior loop for "hover mode".
Hopefully that might soon appear somewhere too.
There's Dudley Simpson music from Tom's debut story "Robot" here as well, but
this missed its potential terribly I think. Firstly, it's a re-recording of the music,
and by my reckoning not a very impressive one. I say this after having made a re-recording
of the Robot theme myself based mostly on the first cue from the story, plus the first two
cliffhangers, and I could swear
there's a 3/4 time signature between each lumbering beat. It's
particularly pronounced in part two's cliffhanger.
This new re-recording here has
a 4/4 or 2/4 thing going on instead, and doesn't follow the embellishments and crescendos
of the first cue like mine did, nor does it develop as effectively.
Perhaps it more closely follows a different cue from the
story that I have yet to identify? Topping it off, why would it be labeled plural when
the story featured only one robot? At any rate, the track is at least recognizable. One of its
biggest boosts is in having the actual sound effects of the robot layered on top, which
makes it feel far more authentic than it actually is. Sadly the electronics that made the
original robot sound effects contain a repeated pop, inaudible on the analog TV soundtrack
but very noticeable in digital form, which artificially sound like crude edits or mastering
mistakes. I know they're not, but all the same they tug at my senses begging to be smoothed out.
I suppose this is a good attempt to give us something we should all have in our music collections,
but it missed the mark with me; I prefer my own version.
We also get samplings of Geoffrey Burgon's two scores for the program - logical,
but not quite so exciting, since they had already come out both on a special CD album,
plus are also available as isolated music tracks on the respective DVD releases.
The selections for "Terror of the Zygons" include some important favourites
like "A Landing in Scotland" and "The Zygons Attack". While my other two picks
would have been "The Secret of Forgill Castle" and "The Monster Goes Home",
the inclusion of "Monster on the Moor" is a fairly decent alternate choice as well,
although it only appears on the 11-disc version. I'm far less impressed
"The Destruction of Charlie Rig", which is not one of the good cues of the story.
It definitely should have been left out; instead it's on all versions of the 50th
collection. Go figure.
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Selections from "The Seeds of Doom" are even stranger. The one I agree with most
is "Get Dunbar! / Krynoid on the Loose", although I would have just used the first 1:49
of the track. The other selections are a bit mediocre at best. For my own abbreviated
sampling of music from the CD, I preferred "The Second Pod Bursts", "It's Growing",
"Amelia Ducat's Theme" (gotta have that iconic one), and about a minute and a half
montage of excerpts from "The Final Assault". Instead we see the repeat playing value
of the 11-disc version drop through the floor with the inclusion of
"The Hymn of the Plants" - okay, it worked in the story and as an idea,
but who really wants to listen to it after the fact? Not a good pick.
Many other stories from Tom's first six years are represented by sound effects only,
many of which have been released before. Most background loops from
Doctor Who at the BBC Radiophonic Workshop Volume 2 CD
are repeated here, although sometimes at greater length. A vinyl record
had previously put out "Inside the Doctor's Mind", but this CD gives us a dose of it
that is twice as long. About half of the effects tracks are brand new. One of my
favourites is "Pretty Planet" from "Nightmare of Eden" - a very beautiful, ethereal,
atmospheric track, sadly a bit on the short side.
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Of Tom's seven years in the role, there is nothing at all on the disc from my favourite
year - season sixteen: The Key to Time. A very sad oversight. Equally weird is the
inclusion of a version of the closing theme that was never used on the program, which isn't
new since it concluded the Radiophonic Workshop Volume 1 CD many years ago. I would've thought
they'd have preferred to give us the actual closing theme used most often in Tom Baker's time,
which featured two full verses - and there actually is enough extra space on the disc to
accommodate it.
Tom's final season sees Dudley Simpson replaced by a rotation of members of the
Radiophonic Workshop, whose scores are fully available in DVD isolated music tracks,
and have also seen various CD releases as well over the years. Nothing is really new here.
The first three stories of the season have selections taken from
their respective CD releases,
while subsequent stories' tracks are by and large plundered from the old
"Earthshock" CD.
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The most unique presentation from this season is the last track, "It's the End...", which
is a fresh montage of the final cues of the story, covering the "Cable of Doom" sequence,
the flashbacks, and the regeneration. Very nicely done, and a thoroughly appropriate way
to end the Tom Baker disc.
11-CD Box Set for 2014:
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or
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Doctor Who: 50th Anniversary Collection - Disc 4 of 11
Tom Baker 1974-1981
Track Listing:
1. Doctor Who opening 1973-1979 (Grainer/Derbyshire) (0:44)
2. Mysterious Robots (re-recording of Dudley Simpson) (1:15)
3. Nerva Beacon and T-Mat Couch (Dick Mills) (1:42)
4. Sontaran Scouting Machine (Dick Mills) (1:04)
5. "Revenge of the Cybermen" extended music suite (6:54)
from "Terror of the Zygons" (Geoffrey Burgon):
6. The Destruction of Charlie Rig (0:41)
7. A Landing in Scotland (1:22)
8. The Zygons Attack (0:49)
9. Monster on the Moor (3:27)
10. "The Android Invasion" Parts 3 & 4 (Dudley Simpson) (9:04)
11. The Planet Karn (Dick Mills) (1:48)
from "The Seeds of Doom" (Geoffrey Burgon):
12. Antarctica: The First Pod (2:19)
13. Harrison Chase (0:40)
14. The Hymn of the Plants (0:49)
15. Get Dunbar! / Krynoid On The Loose (2:53)
16. The Mandragora Helix (Dick Mills) (1:26)
17. Inside the Doctor's Mind (Dick Mills) (1:52)
18. "The Sun Makers" music suite (Dudley Simpson) (11:22)
19. "The Invasion of Time" Parts 3 & 4 (Dudley Simpson) (5:37)
20. Movellan Runs Down (Dick Mills) (2:01)
21. Nova Device Countdown and Explosion (Dick Mills) (0:28)
22. Pretty Planet (Dick Mills) (0:33)
23. Doctor Who [unused closing] (Grainer/Derbyshire) (0:41)
24. Doctor Who 1980 opening (Grainer/Howell) (2:23)
25. Into Argolis (Peter Howell) (1:44)
26. Earth Shuttle Arrives (Peter Howell) (1:21)
27. The Deons (Paddy Kingsland) (1:27)
28. Meglos (Peter Howell) (1:31)
29. Summons to Gallifrey (Paddy Kingsland) (1:21)
30. K9 on a Mission (Paddy Kingsland) (0:35)
31. Banqueting Music (1:21)
32. Nyssa's Theme (Roger Limb) (0:42)
33. Kassia's Wedding Music (Roger Limb) (0:48)
34. The Threat of Melkur (Roger Limb) (0:54)
35. TARDIS Interior (1:29)
36. It's The End... (Paddy Kingsland) (3:18)
37. Doctor Who 1980 Closing (Grainer/Howell) (1:17)
Disc Total: 78:32
As you can see, the suites for "Revenge of the Cybermen" and
"The Android Invasion" are significantly longer here, while the
mammoth suite for "The Sun Makers" does not appear at all on
the smaller albums. As for sound effect tracks, the smaller albums
feature ONLY re-runs for Tom Baker's era - all the new stuff
is exclusive to the 11-disc version.
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4-CD Edition for 2013:
Doctor Who: 50th Anniversary Collection - Disc 2 of 4
(Tom Baker, Peter Davison)
Track Listing:
1. Doctor Who opening (Grainer/Derbyshire) (0:44)
2. Nerva Beacon Infrastructure and T-Mat Couch (1:42)
3. "Revenge of the Cybermen" music (Carey Blyton) (5:28)
4. The Destruction of Charlie Rig (0:42)
5. A Landing in Scotland (1:22)
6. The Zygons Attack (0:51)
7. "The Android Invasion" Parts 3 & 4 (Dudley Simpson) (6:32)
8. The Planet Karn (Dick Mills) (1:50)
9. Antarctica - The First Pod (Geoffrey Burgon) (2:17)
10. Get Dunbar! / Krynoid On the Loose (2:55)
11. The Mandragora Helix (Dick Mills) (1:26)
12. "The Invasion of Time" Parts 3 & 4 (Simpson) (5:36)
13. Doctor Who closing (Grainer / Derbyshire)
14. Doctor Who 1980 opening (Grainer / Howell) (0:38)
15. Into Argolis (Peter Howell) (1:44)
16. K9 On a Mission (Paddy Kingsland) (0:35)
17. Nyssa's Theme (Roger Limb) (0:41)
18. It's the End... (Paddy Kingsland) (3:18)
19. Doctor Who 1980 closing (Grainer / Howell) (1:16)
Underlined cues also appear
on the 2-disc cutdown version:
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Doctor Who 11-disc
50th Anniversary
Music CD Collection
Disc 05
Peter Davison (1981-1984)
Original music tracks
composed by
Paddy Kingsland
Roger Limb
Peter Howell
Malcolm Clarke
Jonathan Gibbs
Audio CD
Total Time: 79:25
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Disc 5 of 11 - Music from the Peter Davison Era
Now we come to my favourite Doctor. It has to be said that Peter Davison's
era has always been particularly well-served in terms of making its music
commercially available to the public over the years.
From the mid 1980's to the early 1990's, collections of music from
Davison's era have cropped up on vinyl LP albums, and were quickly re-released
digitally on CD as the compact disc format first became popular. In more recent years,
no other Doctor has had as many of his stories covered by isolated music tracks
on the DVD releases as Davison has had.
So, with over 85% of the music of the Davison era being previously available,
this disc has a hard time presenting anything new. Sadly, not much effort
has gone into making the presentation here particularly fresh or definitive either.
A lot of what we get here is simply a collection of re-runs from previous CD albums.
"The Five Doctors" was a CD that contained some hefty suites from eight
stories from the later end of Davison's era... which for the most part were
all pretty good and for the most part represented each story fairly well.
These have pretty much all been copied verbatim over to this new Davison disc,
making up a good half of its running time or more. Ho hum.
The only significant difference is that an extra 50 seconds of music from
"The Caves of Androzani" has been squeezed in - not consisting of any new cues,
but rather more of the same cues wherever they had had bits trimmed off of them
for the older CD's suite. Meh. For this score, it hardly seems worth the effort.
The suite that should have had an extra 50 seconds or so crammed in is definitely
"Enlightenment". As good as it already is at 8 minutes long, it did the unthinkable
by leaving out the themes for the Black and White Guardians, particularly the bookending
cues that counterpoint the two themes. An opportunity for an easy fix, wasted.
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Many of Davison's earlier stories were represented by a track or two on
an album called "Earthshock", which also featured cues from Tom Baker's final season
and some experimental music from the Jon Pertwee era. Pretty much every Davison
track from that CD has been ported over to this one (and finally placed in
chronological order), with the exception that
only the best of the three tracks representing the story "Earthshock" made the cut.
"March of the Cybermen" easily takes the cake as the best Davison track on that CD,
and contains most of the interesting music from that story anyway.
But these re-runs are a bit of a tragedy considering that many of the Davison tracks
from this CD don't really represent the scores of their respective stories at their best.
Both of Peter Howell's excellent scores for the Mara stories get lousy coverage.
Both "TSS Machine Attacked" and "Janissary Band" backed crude distractions in their
respective adventures and, though effective in the story, are a bit too simple
to withstand full attention from the listener on their own. Missing are the wonderful
cues that backed the spiritual heart of each story,
not to mention the common theme for the Mara itself.
We also wind up with the exact same three cues for "Arc of Infinity" that we had before,
despite the fact that these three really helped cement into place my low opinion
of the music for that story. Surely there are more interesting cues somewhere in
that story, out of which a new and decent suite could be constructed. I may have to
brave the isolated music track on the DVD one day to find out....
The "Four to Doomsday" cues are good ones, but this is a lost opportunity to
bring out something new from one of the few Davison stories that didn't get
isolated music on the DVD. Ditto for "Time-Flight",
which is not represented here at all.
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The one Davison-era composer that hadn't been represented on any of these albums
previously was Paddy Kingsland, whose Doctor Who scores have since been represented
in full on DVD isolated music tracks. Whether the suites on this CD for
"Castrovalva" and "Mawdryn Undead" are identical to versions previously
floating around on audio cassette, I cannot say. It is nice that we get the
pre-title hook recapping the regeneration from "Castrovalva" with a tidy finish,
instead of cutting into the Doctor Who theme right away. The main suite for Castrovalva
then continues with some of the better bits from the story's opening skirmish, the
main theme for the story excerpted from the 5-and-a-half minute cue concluding part two,
and some of the Escher-esque running around music from part four. The suite is capped
off by a cue backing the fifth Doctor's admiration of his new costume from part one.
"Mawdryn Undead" kicks off with Turlough's up-beat jaunt in the Brigadier's car,
followed by the near-collision of the TARDIS with the spacecraft and some of the
subsequent exploration cues, before getting a bit lost with odd wandering cues.
"Frontios" is a new and fresh suite, strangely opening with quite a bit
of music for the Plantagenet and Brazen before moving on to the iconic bits
introducing the main Frontios theme from part one and "The Boulder" action cue from
early part three. The suite finishes off with the last lengthy cue of the story
as Tegan is backed into a surprisingly familiar corner, before restating the main
theme from the departure coda of the story.
All three of the above suites feel fresh and represent their respective stories
fairly well. Conspicuous by its absence is any music from Kingsland's other
Davison-era score "The Visitation". A strange omission, since the story seemed
to have been generally well-received by fans, and one would think they would want
to reminisce musically.
It is with some surprise to myself, though, that I am nominating a Roger Limb
track as the most worthwhile of the disc.
"Black Orchid" is represented by a suite lasting 3:17, which is pretty much
the only new and unique bit of music on this disc, as this short 2-part story
did not get an isolated music score on its DVD. Cues for the grisly opening
and tension-filled cliffhanger are presented nice and clean, while we also get
two of the more interesting cues from part one. Part two's selections sound
much more random and ill-defined, but do feature the climax defusing the main danger.
Some of the more interesting and memorable bits from part two didn't make it,
but the suite didn't do too badly overall.
Well, this is a fair disc overall for buyers who are new to any of this music,
and it does represent the era fairly well,
but it falls a considerable distance short of the definitive disc
that it so easily could have been.
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Doctor Who 11-disc
50th Anniversary
Music CD Collection
Disc 06
Colin Baker (1984-1986)
Original music tracks
composed by
Malcolm Clarke
Jonathan Gibbs
Dominic Glynn
Peter Howell
Liz Parker
Roger Limb
Dick Mills
Audio CD
Total Time: 79:16
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Disc 6 of 11 - Music from the Colin Baker Era
I've long said that the excellent music of the Colin Baker era never seemed to
get the recognition, presentation, and marketing that it truly deserved. With that
in mind, disc 6 of this 50th Anniversary collection is like a breath of fresh air.
Finally, a whole disc full of unearthed Colin-era gems, most of which have either never
escaped in clean form before, or, unlike most tracks from disc 5, have been presented in
an entirely new montage. Kudos. I think I'm going to have to declare this my favourite
disc of the entire set,
as it best embodies the way that the concept of an eleven-Doctors-eleven-discs
Anniversary set should be executed in my opinion, and seems to offer the best value for money.
"The Twin Dilemma" (7:19) - This is one of those stories that came out on DVD
without the isolated music track that should have been easily possible - a problem
shared by about half of Colin Baker's era. Thankfully this suite now makes up for
that shortcoming somewhat, and good thing too as this was one of the best scores
from that time of the program. The suite smartly begins with full airings of the
definitive "Equations" theme for the twins, and features a lot of nice cues,
but seems to be missing out on both "Jaconda the Beautiful", and Azmail's final scene,
which were the other two definitive highlights I'd been looking forward to. Oh well.
Better luck next time.
"Attack of the Cybermen" (8:12) - The bulk of this track concerns the lead up to
and the reveal of the Cybermen from the first half-hour of the story, and includes most
of the atmospheric beats, the initial harsh rendition of Lytton's Theme, and the theme
for Halley's comet and an appropriate short snippet of March of the Cybermen.
NOT featured is the Totter's Lane junkyard cue, or any of the bits of
Bach's Toccata in D. Only right near the end do we get a bit of Cryon music from the
second half of the story. Overall, not a bad track at all.
"Vengeance on Varos" (6:53) - I have to admit to being a bit disappointed with
the cues chosen to represent this story here. Most of the ones on this disc are
slower, quieter ones backing the Doctor's televised challenges in the dome, and we're
not getting enough of the distinctive twangy double-pulse tension builders that I found
particularly iconic. However, we do get the cue backing Quillam's one scene from
the story's first half, which I always liked, plus a lively action cue from some of the
business with the guards and the car. There's good stuff here, but only the
Special Edition DVD's isolated music track will truly satisfy my taste
for the score's highlights.
"The Mark of the Rani" (6:47) - Now this story is covered fairly nicely here.
The lengthy opening cue lays out the main theme with a nice leisurely, pastoral atmosphere,
and is included here at full length, and then after some nice moody cues that perhaps
remain leisurely for a bit too long, we get to the main cliffhanger action, which was
always amongst my favourite bits from this score. I could have done with even more from
the cliffhanger, but the score moves on, and concludes by restoring the world to the
pastoral serenity in which we first found it. Overall, quite nice.
"The Two Doctors" (6:31) - While aficionados can satiate their appetites for
Peter Howell's excellent score for this story from the DVD's isolated music track,
(and like me, probably already have), this suite is a very good sampling of the story.
My favourite three bits are all here - "The Sontaran Anthem", "The Doña Arana",
and "Shockeye Chases Peri", plus the final cue and a smattering of Sontaran variations
and Spanish guitar music. I might have tried to squeeze one more Sontaran track in,
but this is one of the best compressions of a full score into
a short suite that you will find on these discs. Salud!
"Timelash" (5:51) - Again, this somewhat makes up for the lack of an
isolated music track on the DVD, but not by much this time. This suite of music was
previously released on a CD that was about 90-95% sound effects, namely
"30 Years at the Radiophonic Workshop", and it missed out on what I felt was
a definitive cue for the android, so I'm a bit unimpressed with this track.
On the plus side, the track benefits from Mark Ayres' mastering techniques this time,
featuring better volume levels that more fully use the range, and it seems
better placement into stereo than in its previous presentation.
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The Funeral Parlour (2:19) - Very nice to finally get one of Dick Mills' more
atmospheric pieces actually recognized as proper music, as this track deserves.
"Revelation of the Daleks" (6:15) - Roger Limb expresses
his greatest level of sound creativity in his final score for the program here.
This excellent montage features the story's distinctively lonely creepy atmosphere,
features the "sting of a thousand Daleks" at many points, and opens with a good
full rendition of the story's main melodic theme. Quite a good representative track.
"The Mysterious Planet" (7:39) - Story specific music from the DVD release was
limited to a montage played over the photo gallery, so a suite of music from this
story is very welcome. What's really great here is that there is very little overlap
between the music in this suite and the music from the photo gallery, meaning that
with both considered together, aficionados now have a really hefty chunk of the score.
Awesome. Music from the opening sequence of "The Trial of a Time Lord" Part One
features on both, but this new
presentation continues to include the low quiet bits under the dialogue, although it
has been somewhat edited to cut down on the repeated bongs, while still including all the
highlights. Four more cues feature here, one as the Doctor and Peri first go underground
which includes much of Glitz and Dibber's shiftiness, the nicely emotional one anchoring
later portions of the "Nothing can be Eternal" speech (YES!), the long chase cue leading
up to Part Two's cliffhanger (sounds great in stereo!),
and a surprisingly beautiful one backing Merdeen's speech
from the beginning of Part Four. Some very nice picks indeed.
"Mindwarp" sound effects (3:59) - Apparently, we're still only getting sound effects
here because the music tapes no longer exist. This montage is mostly just dull background
loops at first like the DVD's photo gallery, only without the distinctive tide control
this time. However, this track moves on to tackle some very story-event-specific sounds
from the powerful final episode. "Force Beam and TARDIS" is a bit of a disappointment,
as it leaves out the beginning of the force beam (the true signature portion of the sound)
and instead fades up during the middle of it - and also the TARDIS makes no sound whatsoever
in the story, so the warbling version of materialization is out of place here. One is
better off sampling this moment from the finished soundtrack on the story, which includes
music and is largely free of dialogue and foley anyway. However, this track really comes up
trumps with the last two sounds "Time Bubble" and "Unfreeze". Very nice to finally have these
without Brian Blessed screaming all over them, and as with much of Brian Hodgson's work
on the early years of the show, these bits from Dick Mills very nearly are the musical score
when they are used. Two thumbs way up.
"Terror of the Vervoids" (8:26) - This is a bit of a mixed bag, covering more new
material than you might think at first glance when comparing with the DVD's Photo Gallery
montage. (Again, with no isolated music track on the DVD, the photo gallery was the only
other source of major clean music cues from this story to date.) But even when it sounds
like there is repeated music, there are often slight variations because we are listening
to themes used at very different points of the story. For example, there's a piece
I will arbitrarily label as "Twisting the Evidence", which always begins over a courtroom
scene before continuing under the action on the ship. The photo gallery gives its rendition
from late in part nine of the story, while the new presentation on this Colin Baker disc
gives you the cue as heard in the middle of part eleven, and continues on to include
the Vervoid action immediately after.
A good study of this score reveals that many of the
most creatively realized bits consist of about 4 or 5 basic loops, which were then patched
together into cues with unique bits of melody played over top. This 50th Anniversary
montage gives you many of the completed cues, which get a bit repetitive and crazy,
but I think I might have preferred to get those basic loops individually in a fresh and
clean state. My favourite cue of the story, from late episode 10 surrounding Mr. Kimber's
warm drink, appears to be constructed out of the two loops that debut the earliest in the
story, each loop being used twice in alternation. Here we get the last of these loops
as it appears at the end of the cue, but not the entire cue itself - a trick has been missed
there. Not to worry, I've been able to sample an almost clean version of the other loop
from elsewhere, boost its volume, and reconstruct a good approximation of my favourite cue
at last... which shouldn't have required all that work. For those wondering, the extensive
crazy-sounding action at the end of this track comes mainly from two finished sequences,
one where the mystery's culprit is arrested, and the full final cue for the Vervoid action.
All in all, "Vervoids" here is a good track, but perhaps not all it could have been.
The cheesy Dancercise Muzak did not have to be included both here and in the DVD photo gallery,
and I have to say I think the photo gallery actually offered a better variety of
music from the story than what we got here, even while this one tackled some of the more
iconic bits.
"The Ultimate Foe" (6:49) - As with the earliest story of the "Trial" season,
there is very little overlap between the music in this suite and the music from the DVD's
photo gallery, so we're getting a lot of good new stuff here, including "Carrot Juice"
and the final few cues of the Colin Baker era clean and in their entirety. I'd have tried
to squeeze in a few more cues, but on the whole, this short classic story was covered really
well for a box set abridging 50 years of music.
Also included are the title and end credit themes from Season 23 - "The Trial of a Time Lord",
renditions of Ron Grainer's Doctor Who theme that are unique to Colin Baker's era.
11-CD Box Set for 2014:
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or
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Doctor Who: 50th Anniversary Collection - Disc 6 of 11
Colin Baker 1984-1986
Track Listing:
1. The Twin Dilemma (Malcolm Clarke) (7:19)
2. Attack of the Cybermen (Malcolm Clarke) (8:12)
3. Vengeance on Varos (Jonathan Gibbs) (6:53)
4. The Mark of the Rani (Jonathan Gibbs) (6:47)
5. The Two Doctors (Peter Howell) (6:31)
6. Timelash (Elizabeth Parker) (5:51)
7. The Funeral Parlour (Dick Mills) (2:19)
8. Revelation of the Daleks (Roger Limb) (6:15)
9. Doctor Who Titles - The Trial of a Time Lord (0:45)
10. The Mysterious Planet (Dominic Glynn) (7:39)
11. Mindwarp sound effects montage (Dick Mills) (3:59)
12. Terror of the Vervoids (Malcolm Clarke) (8:26)
13. The Ultimate Foe (Dominic Glynn) (6:49)
14. Doctor Who credits (Ron Grainer/Dominic Glynn) (1:20)
Disc Total: 79:16
As you can see, with the exception of the "Timelash" suite which was a re-run anyway,
all the story suites on the 11-disc version are considerably longer than their counterparts
on the 4-disc version... in fact double on average.
Don't worry about missing out on the 3 minute
Doctor Who 1986 version of Grainer's Theme by Dominic Glynn.
On the 11-disc sets, it's one of the bonuses on
the Christopher Eccleston disc...
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4-CD Edition for 2013:
Doctor Who: 50th Anniversary Collection - Disc 3 of 4
(Colin Baker, Sylvester McCoy, Paul McGann)
Track Listing:
1. The Twin Dilemma Suite - Malcolm Clarke (4:04)
2. The Mark of the Rani Suite - Jonathan Gibbs (3:45)
3. The Two Doctors Suite - Peter Howell (3:15)
4. Timelash Suite - Elizabeth Parker (5:52)
5. Revelation of the Daleks Suite - Roger Limb (3:53)
6. Doctor Who 1986 - Grainer / Glynn (2:53)
7. The Mysterious Planet - Dominic Glynn (3:21)
8. Terror of the Vervoids - Malcolm Clarke (2:44)
9. The Ultimate Foe - Dominic Glynn (3:16)
Underlined cues, along with a combination
of The Mysterious Planet and The Ultimate Foe into one track:
The Trial of a Time Lord (Dominic Glynn) (4:19)
also appear on the 2-disc cutdown version:
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Doctor Who 11-disc
50th Anniversary
Music CD Collection
Disc 07
Sylvester McCoy (1987-1989)
Original music tracks
composed by
Keff McCulloch
Dominic Glynn
Mark Ayres
Audio CD
Total Time: 79:18
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Disc 7 of 11 - Music from the Sylvester McCoy Era
Considering what this collection has done on discs for other eras,
one might expect early Sylvester McCoy stories to be represented
simply by pulling previously released tracks from
"The Doctor Who 25th Anniversary Album" by Keff McCulloch
(pictured at right), which in actual fact featured much more music from
the program's 24th season than its 25th. Though some of this recycling did happen,
I'm happy to say that the temptation was at least resisted enough to bring
us significant new material from many of those stories that didn't feature
isolated music tracks on their DVD's. In the end, the McCoy disc rated
quite highly with me, placing fourth after the discs for Colin Baker, Tom Baker,
and Jon Pertwee.
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"Time and the Rani" (5:17 total) - This is the story that benefitted
most on this disc. Only two tracks of music from this story had appeared
on McCulloch's 24th/25th Anniversary CD, and while they had provided nice
atmosphere and rhythm to several sequences in the story, neither of them
held up quite as well under closer digital scrutiny on CD. Thankfully,
no disc space was wasted repeating them again here. All new material was given
to us, and was especially precious considering the DVD had no isolated music track.
Here, we get the story's pre-title sequence leading into the debut of
McCulloch's version of the Doctor Who theme tune, plus a lot of the better cues
from early portions of the story, nice and clean. Many of these pay homage
to Grainer's theme, and while this sometimes seemed out of place in the story,
it is much more appropriate heard on its own on this disc. Excellent.
The one extra bit I would have liked would be the march of the Tetraps
from Part Four, but as this can be sampled fairly cleanly from the finished story,
it isn't a terrible loss. The most important stuff has been taken care of.
Two thumbs way up.
"Paradise Towers" (4:21 total) - This story also starts off in a
refreshing manner with a track called "Taken to the Cleaners" containing
two cues we hadn't had before...
perhaps not the best ones from the story, but definitely recognizable
as I believe at least one of them saw some re-use as the story went along.
After that, the next two tracks have been scraped from the 24th/25th Anniversary
disc. "Drinksmat Dawning" is a nice piece, while "The Making of Pex" is a
loud harsh cue for the action climax of the story that later gives way to a
nice gentle melody which you may not hear after the harsh bit has you reaching
to turn down your volume control. Not quite the two picks I would have chosen from
the older CD. "Towers El Paradiso" was probably the best track we got before,
but it features so sparingly in the story that it isn't truly representative.
"Guards of Silence" probably would have been the optimum essential choice, as it
features the theme for the cleaners, plus a nice mellow humorous variation on the
main Doctor Who theme, with some very different chord patterns.
Music from "Delta and the Bannermen" (3:38) - This track is a medley
of cues from the story, only one of which had not previously appeared
on Keff McCulloch's earlier CD. The re-runs include
"Gavrok's Search" and "Burton's Escape" (whose running times have been
halved by removing pointless repetition), and the better later portions
of "The Sting". Hold on though, the second of the four cues presented here
is a new release, and it's a gem -
the one piece of the score I had wanted most. I called it "Keillor's Deal"
when I attempted to make a cover version of it myself. It's the penultimate
cue from episode one, when the man with the big sideburns makes a phone call
and then discovers something more.
Also repeating from the 24th/25th CD is "Here's to the Future", which likely
remained a separate track due to the extra credit for the vocals by The Lorells.
After this point, all McCoy DVD's feature isolated music tracks, so technically
none of the music is new. But we still wind up with all new montages from each
story, giving us a nice sampling of the musical score, or in a few cases a selection
of individual cues with official titles on them. Nice.
Music from "Remembrance of the Daleks" (8:21) - This is an extensive suite
from one of the most popular stories of the McCoy era. Both of the two tracks
from the 24th/25th CD are incorporated into it (and let's face it; they were both
amongst the most iconic and effective pieces in the story).
"Cemetery Chase" has had its repetitive center section smartly halved, and is
much the better for it, while "A Child's Return" appears at full length to
conclude the suite.
It is also nice to have the final cue of the story "Time Will Tell" as
a completely clean, full length track on its own, without going directly
into the end credit music for once. Excellent.
Music from "Battlefield" (5:24) - This remains an interesting and tasteful
sampling of music from the story. The earlier cues used here were amongst the more
memorable ones from the story for me. One bit I had always liked that did NOT
appear here backed the Brigadier's first walk into town leading up to his
encounter with Jean Marsh's character.
Rounding out this disc's collection of music from Keff McCulloch is a collection
of three tracks from "Silver Nemesis", which perhaps demonstrate that this
was the least interesting of his six scores for McCoy's Doctor.
"Fourth Reich" comes across as a slightly militarized variation on his
usual muzak, and while "Landing of the Cybermen" starts well, excessive
repetition of certain riffs soon wears out its welcome. "Shooting at Us"
doesn't have an impressive start, but soon turns out to be the most creative
and emotive of the three tracks here.
The three scores by Mark Ayres, while amongst the last to be created for the
classic program, were also amongst the first to be marketed on CD in the
early 1990's with a whole disc devoted to each. Yes, these are very familiar
re-runs, but good ones. The three suites here manage to capture and present
most of the important themes and provide a nice, brief flavour of each score.
"The Greatest Show in the Galaxy" remains my favourite for its melodic qualities,
while the more creepy, action-oriented score from "The Curse of Fenric" is
a close second.
Finally, we have three more scores from Dominic Glynn, which are all quite different.
"Dragonfire" encapsulates all the important themes from that story - and as
the last Doctor Who story to have its audio mastered in mono, this disc now improves
on the DVD isolated score by presenting the music in stereo and with
increased brilliance and dynamic range. A notable difference.
"The Happiness Patrol" covers its bases well also, giving us the blues, suspense,
the candy waltz, and the emotional climax. The main "Survival" suite focuses
on music for the wilder side of nature fairly well, but misses out on some of
the lighter happy-go-lucky sneaky cues. Nicely, the very memorable farewell cue
of the classic series is highlighted in its very own stand-alone track.
Ultimately, this is a very good disc, having enough space to do justice to all twelve
of McCoy's stories and succeeding fairly well with each. Nice.
11-CD Box Set for 2014:
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or
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Doctor Who: 50th Anniversary Collection - Disc 7 of 11
Sylvester McCoy 1987-1989
Track Listing:
1. "It's the Man I Want" (Keff McCulloch) (0:22)
2. Doctor Who 1987 opening (Grainer/McCulloch) (0:53)
3. Music from "Time and the Rani" (Keff McCulloch) (4:02)
4. Taken to the Cleaners (Keff McCulloch) (1:31)
5. Drinksmat Dawning (Keff McCulloch) (1:28)
6. The Making of Pex (Keff McCulloch) (1:22)
7. Music from "Delta and the Bannermen" (Keff McCulloch) (3:38)
8. "Here's to the Future" (Keff McCulloch w. the Lorells) (1:56)
9. Music from "Dragonfire" (Dominic Glynn) (7:11)
10. "Remembrance of the Daleks" (Keff McCulloch) (8:21)
11. Time Will Tell (Keff McCulloch) (1:00)
12. Music from "The Happiness Patrol" (Dominic Glynn) (7:11)
13. Fourth Reich (Keff McCulloch) (1:21)
14. Landing of the Cybermen (Keff McCulloch) (2:47)
15. Shooting at Us (Keff McCulloch) (1:26)
16. "The Greatest Show in the Galaxy" (Mark Ayres) (7:07)
17. Music from "Battlefield" (Keff McCulloch) (5:24)
18. Music from "Ghost Light" (Mark Ayres) (4:32)
19. Music from "The Curse of Fenric" (Mark Ayres) (7:30)
20. Music from "Survival" (Dominic Glynn) (8:25)
21. "...and somewhere else, the tea's getting cold" (Glynn) (0:23)
22. Doctor Who 1987-1989 closing (Grainer/McCulloch) (1:14)
Disc Total: 79:18
As you can see,
most of the story suites on the 11-disc version are considerably longer than their counterparts
on the 4-disc version... often double in fact.
Don't worry about missing out on the longer
Doctor Who 1987 version of Grainer's Theme by Keff McCulloch.
On the 11-disc sets, it's one of the bonuses on
the Christopher Eccleston disc...
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4-CD Edition for 2013:
Doctor Who: 50th Anniversary Collection - Disc 3 of 4
(Colin Baker, Sylvester McCoy, Paul McGann)
Track Listing:
10. Doctor Who 1987 (full) (Grainer/McCulloch) (2:38)
11. Time and the Rani suite (Keff McCulloch) (1:38)
12. "Here's to the Future" (Keff McCulloch w. the Lorells) (1:57)
13. Dragonfire suite (Dominic Glynn) (3:02)
14. Remembrance of the Daleks suite (Keff McCulloch) (5:32)
15. The Greatest Show in the Galaxy suite (Mark Ayres) (3:23)
16. Battlefield suite (Keff McCulloch) (4:41)
17. The Curse of Fenric suite (Mark Ayres) (6:35)
18. Survival suite (Dominic Glynn) (5:28)
19. ..and somewhere else, the tea's getting cold (Glynn) (0:25)
Underlined cues
also appear on the 2-disc cutdown version:
(where Survival and its cold tea coda have been
combined into a single track)
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Doctor Who 11-disc
50th Anniversary
Music CD Collection
Disc 08
Paul McGann (1996)
Original music tracks
composed by
John Debney
Louis Febre
John Sponsler
Audio CD
Total Time: 62:45
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Disc 8 of 11 - Music from the Paul McGann Movie
The one-disc-per-Doctor concept of this version of the 50th Anniversary CD set
really falls down when it comes to Paul McGann - whose Doctor really has only
3/4 of one movie to his credit.
Additionally, most of the music for that one movie became available on CD long ago,
and was also taken care of with an isolated music track on the more recent DVD release,
along with a bonus feature of full-length source music tracks as well.
It was pretty much impossible to give us anything truly new, or to fill the disc
up to capacity, unless one dove into McGann adventures in other mediums
such as audio-only radio dramas, which didn't happen.
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So, with no way to follow the concept of the set and come up with anything truly
exciting, this isn't one of the greater discs of the collection. That said,
the music here is good, and does evoke memories of McGann's short-lived Doctor.
The improvements over the original CD are worthwhile.
The opening track is a highlight, as it has been extended and better reflects
the music as it appeared in the film. We also get the regeneration itself in
"Seven to Eight", which is quite a memorable scene, and a unique musical moment.
Most of the story's best bits had been previously released however, so
the bulk of new material is really just random action/scares from the earliest
portions of the movie. I've attempted to highlight below in bold text the tracks
that weren't on the original CD.
Old favourites include "Night Walk" which debuts the love theme for Grace,
plus the theme's rise to a triumphant action cue in "Slimed".
Individual track credits continue to suggest that Louis Febre and John Sponsler
did the bulk of the work on this movie, scoring some cues by themselves,
and some in collaboration with John Debney. I still don't see any cues
credited to Debney alone, which is bizarre considering that he alone got a
big highlighted title credit for the music on the film.
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Doctor Who 11-disc
50th Anniversary
Music CD Collection
Disc 09
Christopher Eccleston (2005)
Bonus Tracks
Original music tracks
composed by
Murray Gold
Mark Ayres
Dominic Glynn
Keff McCulloch
Audio CD
Total Time: 79:06
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Disc 9 of 11 - Music from the Christopher Eccleston Era
These 50th Anniversary Collections become truly redundant once we enter
the New Millennium sections of the show, where composer Murray Gold
reigns supreme in his total monopoly over the soundtracks.
Although excellent music abounds, the 50th Collections plow hard
into re-run status, and give the long term collector almost
nothing that she hadn't had before, or couldn't still get from the more
affordable albums still widely available for sale today. The opportunity
to bring out some extra gems that hadn't been released before has mostly gone to
waste here.
Christopher Eccleston's Era is represented by basically looking to Murray Gold's
first Doctor Who release (which covered two seasons on one disc, pictured at right),
and scraping from it every cue that was originally composed for an Eccleston episode,
then placing them chronologically on disc 9 of the 50th Collection. In Eccleston's case,
it's a bit of a cheat, since these aren't the actual sampler/synthesizer-based recordings
used during his one year of stories. These are the re-recordings by a full orchestra
that were used the following year with David Tennant. Track 1, the Doctor Who opening theme,
is likely the only honest Eccleston Era recording on the CD.
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Sadly, this is a wasted opportunity to bring out some cues that deserve to be released.
The rendition of "The Doctor's [Dark Past] Theme" with a piano march underneath it,
as heard in
"Rose" when he first walks back to the TARDIS,
as well as the simpler
version of the "Doomsday" melody when Rose first walks into the TARDIS, both deserved
to be here. Also, there's a sweet little theme used both for one of Rose's first chats
with Adam, and again with one of the more endearing conversations between the Doctor
and Lynda with a "y", which deserved to be released. No idea if or when the powers that
be will create an opportunity to celebrate cues like these, but it didn't happen here.
And still nothing from "The Empty Child" two-parter. What's up with that?
With Eccleston's entire era represented solely by bits from one other CD, "his" cues amount to
only half a disc. But it's now the other half of that disc that makes it the most
worthwhile of the three New Millennium discs to the long term collector,
because here we get tons of BONUS TRACKS. Awesome! Now things get interesting....
First off are some extra classic era cues.... Quite a few of these are from the
"30 Years in the TARDIS" documentaries, scored by Mark Ayres, and are enjoyable as ever.
As part of their presentation,
the final cue from the last story of the classic era is mixed in here as well.
Also up are some extended renditions of the main Doctor Who theme. Dominic Glynn's 1986
version associated with "The Trial of a Time Lord" is here in a rendition that has been
released before, but I will say this isn't my favourite version of his take on the title music,
since the bassline somehow seems mistimed. To get Glynn's theme at its best, check out
the original opening and closing used on the TV episodes (see disc 6), or for a really good
full length version, check out the 2008 stereo remix on the music videos from
the DVD box set, which rocks.
In what appears to be a brand new track, Keff McCulloch's version of the theme tune
from 1987 is now expanded to a more full rendition as well, with some transitional sounds
old and new rising more boldly to the fore than previously. This is a unique track,
and I like it.
Next up are some David Tennant era "bonus" tracks.
"The Doctor Forever" is a great and absolutely iconic track for his Doctor...
so why is it a bonus track buried here instead of a main feature on the disc for his era?
At any rate, it is a re-run from the
season 29 album. Ditto for
"My Angel Put the Devil in Me", one of my least favourite tracks of that album
which I really didn't need to hear again. Also containing vocals I'd rather forget is the
"Song for Ten" re-recording with Neil Hannon that so many people didn't like.
It's high time we got the instrumental version heard in
"School Reunion" and elsewhere. Didn't happen here.
But finally, we get some New Millennium tracks that didn't appear on previous
CD albums.
Too bad it didn't happen until we hit the season 30 specials, which were no longer starved for
disc space when their scores hit CD. We start off with some good rousing ones.
From "The Next Doctor" we get
"The Cyber Leader Runs Amok", and from Tennant's Finale "The End of Time", we get
"Never Too Old to Shoot and Fly". Excellent! Now this is what a 50th Anniversary Collection
should be doing for Tennant's era in the first place.
The Matt Smith era also only goes beyond Murray Gold's regular CD releases in this bonus section
on Eccleton's disc. From season 31's "Victory of the Daleks", we get
"Emotions Get the Better of Him" and from "The Beast Below" we get
"Impossible Choice". "Impossible Choice" isn't as lively as its three predecessors,
nor is the story particularly great, so I'm not sure how they arrived at selecting it.
Also from the season 33 finale
"The Name of the Doctor" we get two
previously unreleased tracks: "Glasgow" and "Whisper Men", both of which
are nicely atmospheric... but they tend to send you off at the end of the disc with
an unresolved sensation, as though the music just spontaneously decided to quit.
At any rate, this bonus section is by far the most worthwhile part of the three discs devoted to
New Millennium Doctors. This makes Eccleston's disc the best of the bunch, even though
all three have missed the mark in many ways, considering what they could and should have been.
|
Doctor Who 11-disc
50th Anniversary
Music CD Collection
Disc 10
David Tennant (2005-2009)
Original music tracks
composed by
Murray Gold
Audio CD
Total Time: 79:27
|
Disc 10 of 11 - Music from the David Tennant Era
Moving on, we come to the disc for David Tennant's era. For those who have
bought all of Murray Gold's music albums from this era, as I have, there is
absolutely nothing new here. As such, this was the last disc out of the 11
that I listened to when the box set first arrived.
Now, credit where credit is due, most of the music here is really, really good.
A handful of the tracks have been edited for time as well, to focus on highlights
before moving on quickly, which is fair, and gives us new variations on old material.
All that is well and good.
But this still won't wind up becoming my one-disc-musical-tour of choice
for Tennant's era, due to a number of really bad choices being included,
while really important, essential cues were left off. The worst offender
is the first half of "Evolution of the Daleks", which contains super-cheesy
in-your-face vocals. I'm reaching for the "skip" button each time it comes up.
Also unnecessary is "The Futurekind", which is just a harsh over-hyped action
frenzy with little emotional impact. "The Runaway Bride" also isn't
interesting enough to have made the cut under my watch.
What's missing are two absolutely essential pieces. The first is pretty much
THE defining theme for David Tennant's Doctor, officially titled "The Doctor Forever".
Yes, it's buried on the Christopher Eccleston disc as a bonus, but really...
what the hell? You want that front and center on the Tennant disc. It belongs here
so obviously. Arggh! The other important piece you want here is
"Boe", from the Season 29 disc. Yes, I know we have "The Face of Boe"
from the previous year's opening story, but as I said in my review of
the Season 29 finale, "Boe" was probably
the best track I'd ever heard Murray Gold create up to that point, and
"Every human should listen to this piece at least once per day to help
promote wisdom, longevity, and their own inner peace." If you want to make
a David Tennant disc with maximum repeat-listening value, "Boe" is absolutely
essential.
Curiously, the 4-disc version of the 50th Collection may just be the smarter set
where Tennant's era is concerned, as it covers these two essentials, and has left out
some of the irritants.
Well, this isn't a bad disc if any or all of the music is new to you,
but it kind of missed the mark as a truly definitive collection of highlights,
and only receives a lukewarm, shoulder-shrugging "meh" from this long-term collector.
|
Doctor Who 11-disc
50th Anniversary
Music CD Collection
Disc 11
Matt Smith (2010-2013)
Original music tracks
composed by
Murray Gold
Audio CD
Total Time: 79:11
|
Disc 11 of 11 - Music from the Matt Smith Era
Technically, this final disc in the 50th Collection is made up of 100% reruns
from Murray Gold's previously released Matt-Smith-Era albums, and as such
contributed not one tiny bit to my desire to purchase this mammoth set.
That said, a lot of the tracks here are a little bit different - having been
edited down into shorter tracks to facilitate squeezing more variety onto one disc.
This disc still managed to be one that I looked forward to more than most, for the
simple reason that I haven't yet gotten around to collecting all of the available
Matt Smith era CD's yet, so some of these tracks ended up being new to me anyway.
I often wonder if Murray Gold's compositional efforts peaked with Smith's debut
"The Eleventh Hour",
because after coming out with some cracking themes for that story,
most of the music I really remember afterwards consists of variations on those same themes
in one permutation after another. It isn't until Clara debuts in the middle of season 33
that something new and really important crops up. Indeed, anytime this disc gets truly lively,
it's probably yet another version of his eleventh Doctor theme "I Am the Doctor" that we're
listening to. Great stuff, but it does get a bit too repetitive before it's all over.
Some of the selections could have been better. The first track I would have dropped
would be "The Long Song", which was my least favourite of the previously released tracks
from "The Rings of Akhaten". Also, even though
"Abigail's Song" may be the best track from its particular score, I'm not sure
I would have chosen anything from
"A Christmas Carol" at all. Ultimately, I think
it is really challenging to get a selection of Matt Smith era cues that cover the
entire emotional spectrum well without repeating too many variations on
themes from "The Eleventh Hour". Somehow this collection of music felt skewed a little
too heavily towards sadness, which I found a bit overwhelming on my first listen.
Still, this isn't too bad at all, and has many good highlights. Unfortunately,
there's nothing here from
"The Day of the Doctor" or Matt Smith's finale, and
for any truly new pieces, one might have better luck with the bonus tracks on the
Christopher Eccleston disc. But one can't deny that Murray Gold's music is really
very good and does make enjoyable repeat listening, and this disc still satisfies
on many levels.
|
"What have I missed now?"
|
While I am now able to give a first-hand account of what's actually in this 11-disc
collection from the set I purchased, it's too late for you to use my words to make
an informed purchase yourself. The ordering window was in April-May of 2014, with
delivery of the product occurring over September and October - some 5 months later.
The makers and exclusive sellers of this product bypassed Amazon and most other retailers,
and have now declared the product "sold out" and washed their hands of it.
Donna Noble's mantra "What have I missed now?" may be an
appropriate epitaph for their marketing tactics.
What's sad about this is that we can't now say that music from "The Sun Makers" or
"Planet of the Spiders" continues to be available to any member of the public that
wishes to purchase it. Eager buyers who came late to this party will have to hunt down
someone willing to sell their copy second hand on eBay or something.
The economics of the music industry are partly to blame - sales of physical media
like audio CD's and DVD's are down across the board, and it certainly didn't help
that the computer brand Apple ceased to incorporate disc players in their computers,
forcing many onto the internet download route. For an 11-disc set like this,
perhaps only this high-pressured take-away marketing tactic could ensure
that its makers turned a profit, and weren't sitting on unsold copies for years
waiting to recoup their investment. Also, very often music libraries will
only offer to license their assets for commercial release if one guarantees
that it will be an edition limited to a few copies, so that may have been an
additional factor.
What bothers me particularly is that for those of us who would like to ensure that
composers and performers receive reimbursement for the musical enjoyment they
have provided us, we no longer have an easy valid way of doing so when the
product discontinues its way into obscurity. The music industry has yet to find
ways to keep channels of reimbursement open, and has a tendency to invest instead
in restricting its legally available output. It really is siding with
a form of secrecy or control, instead of the counterpart
fourth density principles of honesty, trust, and allowingness,
which to be fair also require the consuming public to develop our desire to compensate
artists and their distributors for the work they perform that we enjoy.
The more the music industry makes that an easy and accessible thing for us to do,
the faster the public may develop that into a strong habit. My rant for the day.
...Main point being that the marketing on the 11-disc versions of this set is designed
to make the best of the sad 3rd density rut that the music industry is struggling with,
rather than a new 4th density solution.
Anyway, it's just the 4-disc version and its 2-disc cutdown that remain available
today. Not as exciting by any means, but there's still some really good stuff there
nonetheless....
|
Doctor Who -
The 50th Anniversary Collection
Original Music soundtracks
4-disc and 2-disc versions
Audio CD set
new for 2013 Dec 9
|
4-CD Box Set for 2013:
Doctor Who: The 50th Anniversary Collection Music Soundtrack
Audio CD set - 4 disc version
Track Listing:
Disc: 1
1. Doctor Who (Original Theme) - (2:20)
2. Three Guitars Mood 2 - The Arthur Nelson Group (2:03)
3. TARDIS Takeoff - BBC Radiophonic Workshop (0:49)
4. Forest Atmosphere - Tristram Cary (1:08)
5. Forest With Creature - Tristram Cary (0:54)
6. City Music 1 and 2 - Tristram Cary (0:56)
7. The Daleks - Tristram Cary (0:32)
8. Dalek Control Room - Brian Hodgson (0:34)
9. The Ambush - Tristram Cary (2:00)
10. Capsule Oscillation - Brian Hodgson (0:19)
11. Explosion, TARDIS Stops - Brian Hodgson (1:10)
12. Sleeping Machine - Brian Hodgson (0:52)
13. Dalek Spaceship Lands - Brian Hodgson (0:17)
14. TARDIS Lands - Brian Hodgson (0:11)
15. Chumbley (Constant Run) - Brian Hodgson (0:27)
16. Chumbley at Rest - Brian Hodgson (0:28)
17. Marche - Les Structures Sonores (2:40)
18. A Strange Sickness - Tristram Cary (0:44)
19. Growing Menace - Tristram Cary (2:08)
20. The Ballad of the Last Chance Saloon (3:51)
21. Space Adventure Part 2 - Martin Slavin (1:22)
22. Heartbeat Chase - Brian Hodgson (1:57)
23. Chromophone Band - Dudley Simpson (1:56)
24. Propaganda Sleep Machine - Brian Hodgson (1:08)
25. Sideral Universe - Paul Bonneau and his Orchestra (2:26)
26. Space Time Music, Pt. 1 - Westway Studio Orchestra (1:21)
27. Space Time Music, Pt. 2 - Westway Studio Orchestra (1:19)
28. Mr. Oak and Mr. Quill - Dudley Simpson (0:39)
29. Cyberman Stab & Music - Brian Hodgson (1:32)
30. Birth of Cybermats - Brian Hodgson (0:44)
31. Interior Rocket - Brian Hodgson (1:55)
32. Galaxy Atmosphere - Brian Hodgson (1:04)
33. Zoe's Theme - Brian Hodgson (1:20)
34. The Dark Side of the Moon - Don Harper (0:31)
35. The Company - Don Harper (1:31)
36. Machine and City Theme - Brian Hodgson (1:49)
37. Kroton Theme - Brian Hodgson (2:14)
38. The Seeds of Death Titles - Dudley Simpson (0:35)
39. Ice Warriors Music - Dudley Simpson (0:26)
40. Time Lord Court - Brian Hodgson (1:32)
41. Doctor Who (New Opening Theme, 1967) (2:20)
42. The Master's Theme - Dudley Simpson (0:43)
43. Hypnosis Music - Dudley Simpson (0:36)
44. Dover Castle - Dudley Simpson (0:29)
45. Keller Machine sound effects - Brian Hodgson (0:22)
46. Keller Machine Theme - Dudley Simpson (0:43)
47. Copy Machine Tickover - Brian Hodgson (0:16)
48. The Axons Approach - Brian Hodgson (1:45)
49. The Sea Devils - Malcolm Clarke (5:24)
50. The Mutants - Tristram Cary (7:12)
51. Frontier in Space, Ep 1 - Dudley Simpson (1:46)
52. Death to the Daleks - London Saxophone Quartet (3:50)
53. Metebelis III Atmosphere - Dick Mills (1:53)
Disc: 2
1. Doctor Who Opening Title - Grainer / Derbyshire (0:44)
2. Nerva Beacon Infrastructure and T-Mat Couch (1:42)
3. Revenge of the Cybermen - Carey Blyton (5:28)
4. The Destruction of Charlie Rig - Geoffrey Burgon (0:42)
5. A Landing in Scotland - Geoffrey Burgon (1:22)
6. The Zygons Attack - Geoffrey Burgon (0:51)
7. The Android Invasion, Ep 3 & 4 - Dudley Simpson (6:32)
8. The Planet Karn - Dick Mills (1:50)
9. Antarctica - The First Pod - Geoffrey Burgon (2:17)
10. Get Dunbar!/Krynoid On the Loose - Geoffrey Burgon (2:55)
11. The Mandragora Helix - Dick Mills (1:26)
12. The Invasion of Time, Ep 3 & 4 - Dudley Simpson (5:36)
13. Doctor Who Closing Titles (40" Version) (1:15)??
14. Doctor Who 1980 (Opening Titles) - Grainer / Howell (0:38)
15. Into Argolis - Peter Howell (1:44)
16. K9 On a Mission - Paddy Kingsland (0:35)
17. Nyssa's Theme - Roger Limb (0:41)
18. It's the End... - Paddy Kingsland (3:18)
19. Doctor Who 1980 (Closing Titles) - Grainer / Howell (1:16)
20. Castrovalva Suite - Paddy Kingsland (3:18)
21. Exploring the Lab - Roger Limb (1:46)
22. March of the Cybermen - Malcolm Clarke (5:13)
23. Mawdryn Undead Suite - Paddy Kingsland (4:19)
24. The Five Doctors Suite - Peter Howell (5:29)
25. Warriors of the Deep Suite - Jonathan Gibbs (3:53)
26. Resurrection of the Daleks Suite - Malcolm Clarke (5:01)
27. The Caves of Androzani (Alt. Suite) - Roger Limb (6:07)
28. Doctor Who Theme (1980 - Full Version) (2:42)
Disc: 3
1. The Twin Dilemma Suite - Malcolm Clarke (4:04)
2. The Mark of the Rani Suite - Jonathan Gibbs (3:45)
3. The Two Doctors Suite - Peter Howell (3:15)
4. Timelash Suite - Elizabeth Parker (5:52)
5. Revelation of the Daleks Suite - Roger Limb (3:53)
6. Doctor Who 1986 - Grainer / Glynn (2:53)
7. The Mysterious Planet - Dominic Glynn (3:21)
8. Terror of the Vervoids - Malcolm Clarke (2:44)
9. The Ultimate Foe - Dominic Glynn (3:16)
10. Doctor Who 1987 - Grainer / McCulloch (2:38)
11. Time and the Rani Suite - Keff McCulloch (1:38)
12. Here's to the Future - Keff McCulloch / The Lorells (1:57)
13. Dragonfire Suite - Dominic Glynn (3:02)
14. Remembrance of the Daleks Suite - Keff McCulloch (5:32)
15. The Greatest Show in the Galaxy Suite - Mark Ayres (3:23)
16. Battlefield Suite - Keff McCulloch (4:41)
17. The Curse of Fenric Suite - Mark Ayres (6:35)
18. Survival Suite - Dominic Glynn (5:28)
19. ...and Somewhere Else, the Tea's Getting Cold (0:25)
20. Prologue: Skaro/Doctor Who Theme (1:34)
21. Who Am I? - Louis Febre (1:55)
22. The Chase - John Debney & John Sponsler (2:20)
23. Open the Eye - Debney & Sponsler (2:25)
24. Farewell - Debney & Febre (1:35)
25. End Credits/Doctor Who Theme - Grainer / Debney (0:49)
Disc: 4
1. Doctor Who Theme - Grainer / Gold (0:42)
2. Rose's Theme - Murray Gold (2:15)
3. Doomsday - Murray Gold (5:08)
4. Donna's Theme - Murray Gold (3:16)
5. The Doctor Forever - Murray Gold (4:19)
6. Martha's Theme - Murray Gold (3:42)
7. All the Strange, Strange Creatures - Murray Gold (4:07)
8. Boe - Murray Gold (3:44)
9. This Is Gallifrey: Our Childhood, Our Home (3:18)
10. Song of Freedom - Murray Gold (2:51)
11. The Master Suite - Murray Gold (4:33)
12. Four Knocks - Murray Gold (3:58)
13. Vale Decem - Murray Gold (3:20)
14. I Am the Doctor - Murray Gold (4:03)
15. The Mad Man With a Box - Murray Gold (2:09)
16. Amy's Theme - Murray Gold (2:08)
17. Abigail's Song (Silence Is All You Know) (4:43)
18. Melody Pond - Murray Gold (2:36)
19. The Wedding of River Song - Murray Gold (5:33)
20. Towards the Asylum - Murray Gold (2:25)
21. Together Or Not at All - The Song of Amy and Rory (3:17)
22. Up the Shard - Murray Gold (3:02)
23. The Long Song - Murray Gold (3:39)
|
2-CD Cutdown Edition:
Doctor Who: The 50th Anniversary Collection Music Soundtrack
Audio CD set - 2 disc cutdown version
Track Listing:
Disc 1:
1. Doctor Who (Original Theme) Grainer / Derbyshire (2:20)
2. Three Guitars Mood 2 (From "An Unearthly Child") (2:03)
3. Tardis Takeoff - Brian Hodgson (0:50)
4. The Daleks (From "The Daleks") Tristram Cary (3:24)
5. Space Adventure Pt. 2 (from "The Tenth Planet") (1:22)
6. Chromophone Band (From "The Macra Terror") (1:56)
7. Mr. Oak and Mr. Quill (From "Fury from the Deep") (0:39)
8. Zoe's Theme (From "The Mind Robber") Brian Hodgson (1:20)
9. The Company (From "The Invasion") Don Harper (1:33)
10. The Sea Devils - Malcolm Clarke (5:24)
11. The Mutants - Tristram Cary (7:12)
12. Revenge of the Cybermen suite by Carey Blyton (5:28)
13. Terror of the Zygons Suite by Geoffrey Burgon (2:57)
14. The Invasion of Time Episodes 3 and 4 (5:39)
15. It's the End? (From "Logopolis") Paddy Kingsland (3:18)
16. Doctor Who Theme (1980 - Full Version) (2:41)
17. Castrovalva Suite - Paddy Kingsland (3:20)
18. March of the Cybermen - Malcolm Clarke (5:13)
19. The Five Doctors Suite by Peter Howell (5:31)
20. The Mark of the Rani Suite by Jonathan Gibbs (3:45)
21. Timelash Suite (From "Timelash") Elizabeth Parker (5:53)
22. Revelation of the Daleks Suite by Roger Limb (3:52)
23. Doctor Who 1986 Ron Grainer / Dominic Glynn (2:55)
Disc 2:
1. The Trial of a Time Lord Suite by Dominic Glynn (4:19)
2. Doctor Who 1987 Ron Grainer / Keff McCulloch (2:38)
3. Time and the Rani Suite by Keff McCulloch (1:38)
4. Here's to the Future ("Delta and the Bannermen") (1:57)
5. Dragonfire Suite by Dominic Glynn (3:02)
6. Remembrance of the Daleks Suite by Keff McCulloch (5:32)
7. The Greatest Show in the Galaxy Suite by Mark Ayres (3:26)
8. The Curse of Fenric Suite by Mark Ayres (6:35)
9. Survival suite by Dominic Glynn (5:49)
10. Back To The Tardis (Version 2) Mark Ayres (0:56)
11. The 1996 McGann TV Movie Suite (7:54)
12. Doctor Who Theme - by Ron Grainer / Murray Gold (0:41)
13. Rose's Theme by Murray Gold (2:15)
14. Doomsday (From Season 28) (5:08)
15. The Doctor Forever (From Season 29) (4:18)
16. All the Strange, Strange Creatures (4:07)
17. This Is Gallifrey: Our Childhood, Our Home (3:17)
18. Vale Decem (From Season 30 specials) Murray Gold (3:20)
19. I Am the Doctor (From Season 31) Murray Gold (4:04)
20. Amy's Theme (From Season 31) Murray Gold (2:06)
21. The Long Song (From Season 33) Murray Gold (3:36)
22. Infinite Potential (From Season 33) Murray Gold (2:06)
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Article written by Martin Izsak.
Comments on this article are welcome.
You may contact the author from this page:
Contact page
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