The Power of the Daleks

This story is not known to exist in its original format
(6 black-and-white 25-minute TV episodes)
in its entirety.
DVD NTSC
Region 1 U.S.
DVD NTSC
Region 1 Canada
DVD PAL
Region 2 U.K.
(Doctor Who Story No. 30, introducing Patrick Troughton)
  • written by David Whitaker
  • directed by Christopher Barry
  • produced by Innes Lloyd
  • music from "The Daleks" by Tristram Cary
  • 6 episodes @ 25 minutes each
Story: Ben and Polly are at odds trying to decide if the new, younger, dark-haired man in the TARDIS with them could really still be the Doctor....

Having landed on the planet Vulcan, the trio soon discovers a human colony with a murder mystery to be solved. What soon becomes even more worrying are the colony's robotic servants, reactivated survivors of a crashed alien ship who repeatedly chant, "I am your servant." Have these Daleks malfunctioned severely, or do they have some insidious long-term reason for their strange behaviour?


2-disc DVD Features include:

  • Six animated recreations of the missing episodes (#1 - 6), synchronized to the original television sound. (Disc 1: Colour; Disc 2: Black and White)
  • Audio options: original mono, or 5.1 surround
  • Alternate "telesnap" version - using over 400 telesnap photos by John Cura and the CD release's story soundtrack with narration by Anneke Wills.
  • Plus extra features:
    • Audio commentary for all 6 animated episodes (on both colour and black and white discs) by combinations of
      Anneke Wills (Polly), Nicholas Hawtrey (Quinn), Edward Kelsey (Resno),
      designer Derek Dodd, production assistant Michael Briant, costume designer Sandra Reid,
      the animation crew, and a few fan professionals. Moderated by Toby Hadoke.
    • making-of documentary for the original 1966 production (22 min.) with Wills, Dodd, Bernard Archard (Bragen),
      director Christopher Barry, composer Tristram Cary, and several fan viewers.
    • surviving footage & original trailer (8 min.)
    • animation & photo gallery music montage (15 min.)
    • archive audio track of the Dalek voice recording session (5 min.)
    • animation test footage (6 min.)
    • clean opening titles footage (1 min.)
    • DVD ROM .pdf files include:
      • Archive Production Note booklet by Andrew Pixley
      • 1966 Production documents
      • 1966 Camera scripts

In-Depth Analysis Review

by Martin Izsak

WARNING: This review contains "SPOILERS", and is intended for those who have already seen the program.
To avoid the spoilers, read the Buyers' Guide version instead.


A new Doctor's first story should always be able to re-introduce the entire Doctor Who series to new viewers, even more so than season openers or classic single stories. Unfortunately, they usually have the added disadvantage of an incoherent Doctor, who must struggle to overcome the effects of his recent regeneration, and this generally does not help.

"The Power of the Daleks" had the greatest burden in selling the concept of regeneration, as no viewer had any knowledge of it yet. To this end, the final scenes of "The Tenth Planet" (the previous story) ought to be repeated in their entirety, beginning with the Doctor moving from Antarctic police box exterior to console room interior to demonstrate the essentials of the TARDIS. Thankfully, the new animated version you can buy on DVD makes a good attempt at some of this, but all was not so smooth on the original episodes. There, all we got was some weird "re-shoot" of the regeneration effect, which probably did not involve William Hartnell, and if the telesnaps at the end of Jeremy Bentham's "Doctor Who: The Early Years" are any indication, the "up-the-nose" camera angle is less than ideal. There is far too much empty silence in the opening scenes of this story, and the lack of straight answers from the new Doctor is poorly motivated, not helping his situation or his companions, and doing little to sell regeneration, or the series as a whole, to the audience either. Time enough to drop in Hartnell's last scene, and a proper materialization for the TARDIS on Vulcan - these are crucially important missing elements. At least the film of the TARDIS materializing in the Antarctic was reportedly reversed on the original episodes to show our travellers leaving, and in sync with the right sound. However, landings are always more dramatically important and heroic than take-offs, as the Doctor Who production crew had yet to discover.


Patrick Troughton soon takes command of the episode, the story, and the series as Hartnell has never been able to before. Not that I think his portrayal of the Doctor is better, mind you, but suddenly the writers are less afraid to do the Doctor justice. Perhaps they feel more comfortable scripting heroics for a younger actor? Curiosity captures the Doctor, in and out of the TARDIS, and before you know it, he's got himself involved with the affairs of the human colony on the planet Vulcan. Spearheaded by David Whitaker's example here, the scripts will now cater to the Doctor's last minute heroic finishes as well, with near clock-work regularity.

Mistaken identity is the order of the day in these first episodes. Ben and Polly argue over whether the Patrick-Troughton-figure before them really is the Doctor, and his needlessly enigmatic answers fuel Ben's harsh disbelief. If that isn't enough, an official "Examiner" from Earth has been secretly murdered by an unknown villain, and upon discovering the body and credentials, the Doctor proceeds to impersonate him. Why? Who only knows. I guess it seemed like a fun thing to do at the time. The Doctor could have maintained much higher integrity throughout the adventure had he gone in being himself, but maybe he's not really sure himself Who he is at the moment.

Early scenes in Lesterson's laboratory are among the best in the story, where detailed, methodical explorations of both Dalek technology and character are detailed. The story goes on to introduce us to the Dalek method of reproduction, which is just as horrific as their other traits, or so Lesterson would encourage us to believe. Lesterson himself has lost too much of his charisma and credibility at this point for the audience to truly sympathize with him - it becomes easier to cheer for the Daleks.

The music is perfect, of course. Why else would Tristram Cary's Dalek Stock be getting its fifth airing? It is tremendously effective at setting up a creepy atmosphere, and it is by now associated with the Daleks as well. Good stuff.

Background Music in "The Power of the Daleks"
is primarily re-used material from
"The Daleks" (story no. 2) and
"The Dalek Masterplan" (story no. 21)
by Tristram Cary which has been
made available on:
Audio CD
Doctor Who - Devils' Planets:
The Music of Tristram Cary

More info & buying options


The Saward Touch

Writing Tom Baker's narration for the audio cassette version of this story is early 1980's script editor Eric Saward, who does not fail to leave his stylish mark on the story. In his version, there seems to be much emphasis on pain, callous lack of caring, and violent carnage. This time around, Whitaker's story seems to be typical of the type Saward liked to write himself - full of unlikeable, unsympathetic pathetic characters who you can't wait to see exterminated just to be done and rid of them. Not my cup of tea, but Saward's passive-aggressive touch seems to be well-matched for this particular original story.


There's Something About Janley...

The Vulcan colonist guest characters themselves are not much more than a bland bunch of morons. None of them have a future, not even the few that survive the adventure. Most are self-centered and petty, and their hidden motivations are disappointing once revealed. Janley appears to be the only female character that has any significant amount of screen time, and a bit too much plot seems to revolve around other characters having a "thing" for her, hidden or not. The film "There's Something About Mary" is an example of how to make this kind of angle very entertaining; "The Power of the Daleks" is a warning of how boring you can make it if none of your characters have any true entertainment value going for them in the first place.

However, as we graduate from audio-only versions of this story to look at animated and telesnap versions, several of the colonist guest-characters begin to pop out much better. In particular, Bernard Archard, who had also played Marcus Scarman in "Pyramids of Mars" (story no. 82), suddenly seems much better at owning the role of Bragen in this story. Also, Peter Bathurst, who had also played the humorous bureaucrat Mr. Chinn in "The Claws of Axos" (story no. 57) is far easier to recognize and enjoy as he tackles the role of the colony's Governor Hensell here in this story. Indeed, simply being able to see who says what turns out to make everything far more clear and enjoyable, though sadly, these characters still aren't truly great ones.


The animated version on DVD presents a strange mixed bag of quality. A lot of obvious effort and passion went into the Daleks for sure - rendered quite smartly in 3D and on top of that visually directed to squeeze out a maximum of fear, tension, and apprehension, which is only enhanced by all the music and atmospherics getting laid down a-fresh from the Radiophonic archives by Mark Ayres into a 5.1 surround sound audio mix. Great. But it is then a bit sad that the animation of the humanoid characters lags so far behind. In terms of facial expressions, they're all fine and done well. But there are a lot of really odd movements for these characters in this story. Sometimes the animators just don't seem to know how to fill time during all those "empty" moments in the soundtrack, and put excessive (and distracting) random movements on the characters. But it seems everyone's lower body was done on the cheap, with a single pair of hinged static legs, instead of a fully drawn set of walk-cycle frames. Episode one suffers the most, because there's hardly any Dalek in it, and a LOT of empty air on the soundtrack.

You know, it's a bizarre thing that with most continuing animated series, whether it's Scooby Doo, or Inspector Gadget, or Futurama, or The Simpsons, there exists a sort of bible template for the way in which each character should be drawn, so that they consistently look the same from one episode to the next. But as we now get animated versions of all these lost Doctor Who stories coming from so many varied animation companies, we end up with a set of "regular" characters that look wildly different from one story to the next. It requires that we continually update the ideas in our heads about what each character should look like, in animated form. Do we get so attached to any one version that it prejudices us against whatever the next company might do? Hmmm. The animators do a fair job with Patrick Troughton in this adventure, given that it's his first story and he hasn't quite found many of his most iconic traits yet. But to me, Ben's face just isn't round enough here - he looks a bit too long and gaunt. They did manage to capture Bernard Archard's likeness close enough though, which I really did appreciate.

Additionally, one may wonder how it was possible to squeeze the black and white 6 half hour animated episodes and the 6 half hour telesnap episodes all onto disc 2 of the DVD set, along with all the other bonus featurettes. Well, it seems the telesnap episodes are very, very highly compressed - to the degree that any full motion would not work very well. It's okay for any still image, but even the odd fade in from black or out to black breaks up into distracting mosaic patterns. As such, you won't find properly moving title graphics here, or any of the full motion clips properly incorporated. But the telesnaps remain a nice way of watching the story which reveals what the original acting would have looked like.


The Doctor is quite ineffective in arguing a case against the Daleks in this adventure, as Ben and Polly note in the final scene. (Indeed, with the audience cheering the Daleks instead of the colonists, who's going to listen to someone whose intent is to stop the plot?) He becomes the loud-spoken doomsayer in this one, a trait that dogs the Jon Pertwee years profusely, and is rarely effective at bringing quality to the drama. In this particular case, he is severely hampered by his false "Examiner" impersonation, unable to list his previous encounters with the Daleks to support his position. The better stories are those where characters do listen to each other, notice the truth, and then something develops out of it. The Doctor's backed himself into a corner where the Daleks will have to commit atrocities in order to prove his point, which pretty much defeats the purpose of the argument in the first place. Is that really the strategy that an intelligent hero wants to adopt?

By episode five, things are really moving..... or are they? The Doctor has a fine escape scene, after which he sneaks about for a bit to check up on the Daleks. Yes, their devious plan is progressing horrifically. We the audience are just as morbidly interested, following the Doctor's cue. Then he gets recaptured and stuffed back into his cell. End of episode, as far as the Doctor is concerned. Well done holiday absences for Ben and Polly, tied into the developments amongst the colonists and the rebels, all help keep things interesting, although the colonists' angles prove severely disappointing next episode.

The Doctor finally wakes up and smells the Dalekanium in the final episode, taking action to stop the Daleks and their plans. Nice last minute finish to wrap things up - the Doctor finally appears to be the commanding hero, as all his friends and acquaintances gather to praise him for saving the colony.


"Did I really do all that?" he asks with incredulity. Get used to it, Doc, you'll be doing all that and a lot more in this incarnation and the ones to come. However, this time around, it seems that a little more honesty, proactivity, and responsibility to making intelligent arguments could have lessened the body count considerably and made for a better drama.



"The Power of the Daleks" is not known to exist in its original format (6 black-and-white 25-minute TV episodes) in its entirety.

An entirely animated version, synchronized to the original audio from the TV episodes,
and a telesnap photo version, synchronized to the original audio with narration by Anneke Wills, are now available on DVD:

DVD NTSC
Region 1 U.S.


NEW for
2017 Jan. 31
DVD NTSC
Region 1 Canada


NEW for
2017 Jan. 31
DVD PAL
Region 2 U.K.


NEW for
2016 Nov. 21
Alternate Artwork



Doctor Who: Lost in Time - Patrick Troughton
2 DVD discs

(also included in Lost in Time Boxed Sets)

Coverage on The Power of the Daleks includes:
  • Trailer for episode 1 (1 min.)
  • 8mm off-screen clips from episodes 1 & 2 (2 min.)
  • Dalek clips from episodes 4-6 (2 min.)
More details & buying options for "Lost in Time" DVD's
Audio CD - Doctor Who - The Power of the Daleks.

This audio CD set features the complete audio tracks of all 6 television episodes of this story, narrated by actress Anneke Wills (who also played Polly) to help listeners follow what used to be visual aspects of the story. This version is playable in any normal audio CD player.
Audio Cassette - The Power of the Daleks (2 tapes). This earlier release of the audio from the television episodes features actor Tom Baker (the 4th Doctor) reading narration produced by early 1980's script editor Eric Saward.

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Read the In-depth Analysis Review for the next story: "The Highlanders"



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