The Android Invasion

DVD NTSC
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U.N.I.T. Files
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(Doctor Who Story No. 83, starring Tom Baker)
  • written by Terry Nation
  • directed by Barry Letts
  • produced by Philip Hinchcliffe
  • music by Dudley Simpson
  • 4 episodes @ 25 minutes each
Story: The TARDIS abandons the Doctor and Sarah in a silent empty English village, suddenly filled with people who switch on and off like clockwork, and guarded by blank-faced androids. Who is pulling the strings of this secret project from behind the scenes? Can their old friends Harry Sullivan and Sgt. Benton still be trusted? And how does a famous returned astronaut fit into the puzzle?

DVD Extras include:

  • Audio commentary by producer Philip Hinchcliffe, actors Milton Johns (Crayford) and Martin Friend (Styggron), and
    production assistant Marion McDougall. Moderated by Toby Hadoke.
  • "The Village That Came to Life" making-of featurette (31 min.) with Hinchcliffe, Johns, Friend, and director Barry Letts.
  • "Life After Who" Philip Hinchcliffe career retrospective featurette (30 min.)
  • Photo Gallery
  • Pop-up Production Note Subtitles
  • Easter Egg

In-Depth Analysis Review

by Martin Izsak

WARNING: This review contains "SPOILERS", and is intended for those who have already seen the program. To avoid the spoilers, read the Buyers' Guide version instead.


This somewhat obscure story contains some ironies for the production crew. Producer Philip Hinchcliffe has stated how keen he always was to move away from Earth-based UNIT stories and get back into outer space, yet one of the reasons I prefer the later Graham Williams era is that Hinchcliffe did too many stories stuck on present day Earth, with situations that attempt to involve UNIT and can't pull it off in a satisfying manner, instead of making a good clean break. You have to wonder why Holmes threaded so many stories together by having Sarah always asking to go home (often not seriously wanting to), and the Doctor always promising to take her. Even when we are enjoying a good space adventure, our desire to return to the UNIT gang is thus rekindled, putting a monkey-wrench into Hinchcliffe's plans.

And poor Terry Nation, a writer who has proved his talent on classic Dalek stories and in his Blake's 7 series, makes his first attempt at writing for UNIT only to have Nicholas Courtney refuse to do the Brigadier. Even the presence of UNIT era producer Barry Letts coming back to direct this story isn't enough to give it the right UNIT feel.

What the story does give us is a lot of formulaic sci-fi and horror elements: people being replaced by zombies, gullible souls being used by ruthless beings, radiation apocalypses, capture and escape routines being used too often in one script, arguments over whether or not to kill the protagonists, and unbelievably overcomplicated ways of going about it. If Terry Nation hasn't used a particular element many times before, Robert Holmes has between himself and the writers he as script editor employs, and these elements are usually done better elsewhere.


Dudley Simpson does an adequate and enjoyable job on the score, weaving in his relatively new Fourth Doctor's Theme as usual. The music remains a typical example of his good quality work without standing out as anything too special this time around. The police box makes a solid showing, with an extra movement near the beginning of the story; the TARDIS interior is ignored as usual. There are a few laser shots fired in the story; the effect disappointingly lacks superimposed visual beams again, although it is better than the blobs used in "The Sontaran Experiment" (story no. 77) and the lighter artillery in "The Ark in Space" (story no. 76). Tom Baker gets yet another brand new coat for this story, even though his previous one had only appeared in one story. And there must be at least two of the new ones off the bat so that his doppelganger stunt double can have one as well. The speckled grey coat is nice for variety, but is my least favourite in Tom's Doctor's wardrobe. I don't mind so much seeing it dragged through the dirt in episode two.

The Kraals are not a bad design at all - the stooped rhinoceros/ triceratops look is achieved with good jaw movement and expressiveness in the eyes. It works for a villain with many lines of dialogue. Still, somehow the insect look that Terry Nation originally envisioned seems to fit the stealthy, android-building character of the villains better. Whether insects would be as believable with all that dialogue is another matter.

A suite of music from Parts 3 & 4 of this story (6:32)
is available on:
Audio CD - Doctor Who:
The 50th Anniversary Collection
4-disc version (2013)

More info & buying options

A longer music suite from Parts 3 & 4 (9:04)
was released on:
Audio CD - Doctor Who:
The 50th Anniversary Collection
11-disc version (2014)

More info


This story is also paced quite slowly, and it shows most when the Doctor and Sarah observe and confront the village full of zombies. Simpson leaves many of these sequences silent, which is what the story calls for, but in the wake of similarly dead characters from "Pyramids of Mars" (story no. 82), it encourages me to sleep. It takes two episodes for the Doctor and Sarah to figure out what's going on, but at least the Doctor apologizes several times for not being on the ball. Things look like they will get moving in episode three, what with one setting being traded in for another, and anticipation for further travel coming from the dialogue, but this episode keeps the Doctor locked in a cycle of silly capture and death-defying-escape routines, and by the time the cliffhanger comes along, it hasn't a hope of outdoing them. And then episode four effectively doubles back on itself, and we see more of the same old setting that we thought we were in before.

At least Harry and Benton are in this story.... barely. Really, they are completely absent from episode one, and only appear briefly in the next two episodes, and then only in their boring zombie android forms. Only in the final episode do we see the real characters, along with the Brigadier's replacement Col. Faraday and a host of new personnel at the space control centre. The UNIT atmosphere begins to gel, for about half an episode, and then androids take over and we're back where we started again. The story does finally move well in this episode, and the crisis is concluded satisfactorily. Perhaps because I don't remember this story in as much detail as many others, it retains the ability to surprise me. The location filming is particularly enjoyable throughout. I also like Max Faulkner's new UNIT character, Corporal Adams, who gets excellent exposure in this story and has a chance to do several stunt "deaths" as per his forté.


"The Android Invasion" is a fairly solid Doctor Who adventure of minor importance in the grand scheme of things, and not my particular cup of tea. I still rank it second last in the season, without placing the season itself on too high a pedestal either.



This story is available on DVD and VHS video.
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DVD NTSC Region 1
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DVD PAL Region 2
U.N.I.T. Files Box Set
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Read the In-depth Analysis Review for the next story: "The Brain of Morbius"



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